Tag: women writers

2020 Back to the Classics Challenge

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Although this young lady is working in a bookstore, her activity isn’t entirely dissimilar from ours when we compile our lists, is it?  Do you love this contemporary painting (“Old Books” by David Carson Taylor) as much as I do?

Janakay loves a bookish challenge, don’t you?  She was incredibly excited to learn (several weeks after the rest of the world, but then, Janakay has always moved at her own pace!) that Karen’s Back to the Classics Challenge would be offered again this year.  Undeterred by last year’s results (being just a teensy bit better at reading novels than writing reviews, I, alas, didn’t complete quite all of my challenge books), I immediately began the happy task of compiling a book list for the 2020 Classics Challenge.  I adore lists in general; they’re fun to make and give such a sense of accomplishment, don’t you think?  In fact, Janakay was so satisfied with her list that she had to remind herself to stop basking in the glory of her accomplishment and to begin actually reading all those lovely books!  And this year, they’re all going to be read!  What’s a Challenge for, if not to set one’s expectations sky high?

And of all the lists on all the subjects in the universe, what list could possibly be better than a list of books that one intends to read?  Making the list is a perfect excuse to leave the dishes in the sink (not that I need an excuse for this, exactly, but I’m sure you understand what I mean) to do what I like best, which is to  to “ooh” and “ah” over all my wonderful unread treasures (there was one downside to this, as it did set off my dust allergy!  Despite my “big sort,” some of my treasures haven’t been ooh’ed and ah’ed over in quite some time!).  No matter how many times January rolls around I always find it a time of wonderful possibilities, particularly when it comes to reading.  I think what makes a January book list particularly exciting is that it embodies in a very special way the hope that this year I’ll meet a wonderful new author, or find that rare book I’ll add to my “I’ll read it again” list (told you! I love lists!) or even simply pick up a new idea or new way of looking at a familiar subject, literary or not (Have any of you read Jean Rhys’ Wide Sargasso Sea?  After I finished it, I could never think about Jane Eyre in quite the same way).  For all its fun, however, compiling my Challenge list was also demanding.  A book list bears a dual aspect (so fitting for a month named for a god who has two faces) as it both embodies and limits possibilities.  For each book I placed on my list, I rejected two or three others.  And Janakay just hates rejecting books, even temporarily!  Will I read some of the novels that didn’t make my 2020 list?  Absolutely!  But it’s far less likely that I’ll do so, particularly in 2020.  The list, once made, sets the priorities!

In compiling my own list this month I’ve very  much enjoyed peeking just a bit at the 2020 Challenge lists of some of my bookish friends and admiring many of their oh-so-enticing and ingenious choices.  It’s been particularly fun this year, since many of the Classic Challenge’s categories are in the nature of open-ended and imaginative prompts, which require some effort to satisfy (“Hmmm, what can I read that has nature in the title?  Does a waterfall count?”).  It was quite interesting to discover (as Silvia noted in her own list) that so many titles actually fit multiple categories.  These cases raise the additional question of which category to use?  Oh, such delightful dilemmas!

Without any more blather (please feel free to skip the first two paragraphs of this post; Janakay doesn’t mind!) here are my choices for the 2020 Back to the Classics Challenge.

19th Century Classic:  To my surprise, this was one of my toughest categories to fill this year, due to a combination of a picky, impossible-to-please mood and the desire to read someone other than Dickens, Trollope, Thackeray, Austen, Hardy, Brontes (any and all), James, Gissing, Gaskell and Meredith!  I considered reading Disraeli’s Sybille, which the Guardian lists as one the great novels in English, but these days I just don’t want to read anything associated with a politician!  I finally settled on Emily Eden’s Semi-Detached House (1859); my copy is a Virago Modern Edition that also contains Eden’s other well-known novel, The Semi-Attached Couple (depending on time and interest, I may read this as well).

In all candor, dear readers (and Janakay is usually candid, despite her former profession as an attorney), I was attracted to this novel because of its author, one of those fascinating and influential 19th century women whom we (or at least I) are always surprised to discover.  Born into a politically active family of Whig aristocrats, Eden was a prominent political hostess and in 1835 accompanied her brother to India, where for several years he served as Governor-General.  The diaries she kept during these years inspired Susannah Moore’s One Last Look, a great contemporary novel I read a few years back.  (Side note & utterly irrelevant to the Classics Challenge:  I love Susannah Moore and would really recommend her when you, dear reader, want something “modern”!)  When I discovered my yellowing copy of Eden’s own novels in a box retrieved last week from my basement, I felt (quite irrationally, I’ll admit) like I was encountering an old friend!  My choice was made!

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20th Century Classic (originally published between 1900 and 1970):  Something by Ivy Compton-Burnett.  Although I haven’t visited dear Ivy, metaphorically, in quite some time, I love her work.  In fact, I placed her on my 2019 Classics Challenge list, saved her for December as a special little treat and my own personal antidote to the fake cheer of the holiday season (Ms Compton-Burnett is not a writer you turn to for cheer, fake or otherwise) then ran out of time and missed my read!  This year, I will do better!  My current candidates are Manservant and Maidservant (1947); A House & its Head (1935); or Pastors and Masters (probably this one!).

 

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Classic by a Woman Author:  I appear to be the only person in the blogosphere who hasn’t read Muriel Spark’s The Girls of Slender Means (1963).  2020 will be the year Janakay joins the crowd!  On the (extremely) off chance that I can’t get into it, I’ll probably substitue Spark’s The Mandelbaum Gate for my novel in this category.

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Classic in Translation:  My acquaintance with German literature is slight, being mostly limited to a few novels by Thomas Mann.  The Classics Challenge is a perfect opportunity to finally get around to Theodor Fontane’s Effie Briest (pub. 1895), languishing unread on my shelves since 2010.

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Classic by a POC:  A couple of years ago, I audited a course on the Harlem Renaissance, that flowering of African-American art, literature and culture that occurred in New York City’s Harlem in the 1920s.  It was a wonderful introduction to a group of artists and intellectuals who were long denied the recognition that should have been theirs.  One of the most interesting of these figures to me was Nella Larsen, the biracial daughter of a Danish immigrant mother and a father of mixed African and European ancestry.  Larsen, who trained as a nurse, published two novels and was regarded by her contemporaries as a talented writer.  By the early 1930s, however, she disappeared from the literary scene and her work was out of print until a revival of interest in the late 1990s.  I read and admired her second novel, Passing, as part of my course work, finding it a fascinating study of racial and sexual identity.  Despite my good intentions, however, I never got around to reading Quicksand, her earlier and more autobiographical work.  Thanks to the Classics Challenge, 2020 will be my year! (P.S.  the book cover below is based on a very beautiful painting by Archibald Motley,  a major artist of the Harlem Renaissance and contemporary of Larsen’s).

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A Genre Classic:  I grew up reading sci-fi and fantasy, which I lumped in with fairy tales, mythology and novels about life outside my small southern town.  So . . . picking a book from this genre was a natural choice.  But which book?  That’s a bit of a problem.  Although I’m quite fond of much of the early stuff, I’ll be the first to admit that its language, style and character development are less appealing to me than in days of yore.  (I still love the cover art, however, particularly when it involves aliens or space babes! Does that make Janakay sexist?).  I finally settled on Walter M. Miller’s 1959 A Canticle for Leibowitz, which was discussed in an undergraduate “History in Science Fiction” class, which I took many years ago; it was cited as the very embodiment of the cyclical theory of history, i.e., the notion that history is simply  a series of repeating cycles or events.  I can’t even remember whether I actually read Canticle at the time; if so, it certainly didn’t leave much of an impression on me!  Still, it’s considered a foundational work in the field and I’m now curious to see and share my current opinion of it.

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Classic with a Person’s Name in the Title:  Despite a plethora of possibilities, I instantly settled on Elizabeth Bowen’s Eva Trout (pub. 1968), which I’ve wanted to read for quite some time.  (I’ve had a copy, unread, since 2011.  My bad!)  As I’ve noted before, I have a very ambivalent attitude towards Bowen’s fiction, which at times is a bit too rarefied for me; when I want rarefied, I generally head for Henry James if my energy level is high.  Bowen, however, is a beautiful stylist, can be very funny at times, and convincingly portrays mid-20th century upper class English life, a world I find incredibly exotic.  Besides, at this point I’ve read seven of her ten novels, and I have to complete my list!

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Classic with a Place in the Title: Has anyone read the Hungarian novelist Magda Szabo (1917-2007)?  She was largely unknown in the U.S. until a few years ago, when the New York Review of Books (NYRB) reissued her great novel, The Door.  I read it on a whim and it blew me away; I thought it was easily one of the best things I had read in years.  The Door‘s success (France’s Prix Femina Étrabger; one of the New York Time’s 10 best books of 2015) has led to other NYRB reissues of Katalin Street as well as several other Szabo novels.  The tale of three Budapest families during WWII, Katalin Street was originally published in Hungarian in 1969; it just squeaks in under the Classics Challenge’s 1970 cutoff date.  My alternative selection (which I may read instead) is Glenway Wescott’s 1945 Apartment in Athens, another NYRB reissue.

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Classic with Nature in the Title:  This category had me stumped for a day or so; then the titles starting flooding through my mind, so to speak.  I was all set to go with Olivia Manning’s The Rain Forest (has anyone read Olivia Manning?  She’s a wonderful novelist who IMO is sadly neglected) until I checked its publication date — 1974, four years over the Challenge’s 1970 cutoff date!  Shucky darn, that one’s out!  I finally settled on The Alien Sky (1953), an early novel by Paul Scott, the author of the Raj Quartet.  I loved the Quartet (its treatment of  the human and political consequences of British colonialism rivals J.G. Farrell’s) and am very curious to see how a stand alone work compares to it.  My alternative, if Alien Sky disappoints, is Stella Gibbon’s Nightingale Wood or Margaret Drabble’s A Summer Bird-Cage.

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Classic about a Family or with Family Members in the Title:  Although my compulsion to re-read Jane Austen is gaining momentum by the day, I firmly rejected Mansfield Park in favor of Daphne du Mauier’s Parasites, a semi-autobiographical tale of three slacker siblings from a notable theatrical family.  With its lack of gothic and romantic trappings, I don’t think it’s very representative of du Maurier’s better known works, which is fine.  I’m fascinated by tales of dysfunctional families (like Tolstoy said, they’re all different; it’s the happy folks who are boring) and I’ve been intending to read this one for many, many years.

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Abandoned Classic:  Janakay was so excited to see this category because it gives her so very much to choose from!  Most of Dickens!  All of Hardy (except for Tess, which wasn’t so bad)!  A Brontë or three (or four) —  Janakay’s last attempt at Shirley didn’t go well!  Should she risk drowning (again) in Ms Woolf’s Waves or getting stomped for the third or fourth time by that nasty moocow thing?  (my apologies to you lovers of Joyce.  I concede his greatness but even his Portrait of the Artist is a mountain I’ve yet to climb.  Don’t even mention Ulysses! Janakay would rather not think about it).  No! No! No!  Janakay just can’t read any of those things this year — she has to pack boxes and move!  Allowances must be made!  Luckily, I finally remembered Sylvia Townsend Warner, one of those erudite and interesting British women novelists who always turn up on my list of favorites.  Many years ago, I attempted The Corner that Held Them (1948), considered by many to be Warner’s greatest novel; I was quite disappointed in it, however, and gave up the slog about halfway through (it’s long).  In retrospect, I think my disappointment was due to timing; I attempted Corner immediately after reading Lolly Willowes and on some level expected the former to be largely the same.  In the years since my initial disappointment, however, I’ve read Warner’s Summer Will Show (a tremendous novel); Mr. Fortune’s Maggot (so delightfully malicious! Janakay loved it) and several of her short stories and no longer expect a Warner novel to be a repetition of anything, including an earlier Warner novel (STW is an original writer).  With my expectations tempered and under control, I’m now ready to re-evaluate The Corner that Held Them.  (P.S.:  I’ve already started reading it!  It’s wonderful!).

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Classic Adaptation:  This is a difficult category simply because there are so many great choices!  I opted against several tempting ones (Rebecca West’s Return of the Soldier; Forster’s Passage to India) in favor of something by Richard Yates, a writer I’ve been intending to sample for quite some time.  Published in 1962, Revolutionary Road meets the Challenge’s pre-1970 cutoff date, which Easter Parade does not.  Road was also adapted for a 2008 film directed by Sam Mendes that reunited Leonard DiCaprio, Kate Winslet and Kathy Bates, all of whom starred in the movie “Titanic.”  I missed the film, so it will be fun to compare my initial impressions of it after reading the original source material.

Well, dear readers, that’s it for my post.  As you can see, I have an exciting year of Challenge reading ahead of me!