Hello there, dear readers, assuming there are any of you left after my months of silence! Never one to overburden others with my written words (many, many years of turning out legal tootle on schedule finally induced me to take pity on myself and others in this respect), I was nevertheless shocked, positively shocked, to see that it’s been almost three months since I’ve posted anything on my moribund little blog. However did the blogosphere survive my absence? (Rest assured that my question here is satirical!) Although I’ve not been posting I have spent the last few weeks catching up on my blog reading and have no doubt annoyed some of you very much indeed by leaving long, rambling comments on your blogs. You may consider yourself revenged by the fact that your excellent reviews have caused me to add several new peaks to my own Mount TBR of unread books. I’ve simply lacked the energy and concentration, however, to contribute to the online bookish discussion by writing my own reviews. But all this is slowly, slowly changing, now that life is settling down and the boxes are (mostly) unpacked. Because I’ve practically forgotten how to type, much less arrange my thoughts in a coherent structure, I thought I’d ease myself back into things through the forgiving medium of a “miscellany” rather than a formal book review (hopefully the latter will start trickling in during the next few weeks, as I’ve been reading some lovely things).
Because the following sections are totally unrelated to each other, if you find one boring you aren’t missing a thing by scrolling down to the next.
A. MOVING (of most interest to those having a sadistic turn of mind)
Have you ever moved, dear reader? I don’t mean a student move, where you leave the plant at your mom’s, stuff the dirty undies (would one say “knickers” in the U.K. or is this term dated? If you’re British, please enlighten me here) in your backpack and — presto! — off you go! I mean a real, honest-to-god move involving a houseful of furniture; several thousand books; three snarling, foul-tempered cats who were perfectly happy in their old home and a stressed out Mr. Janakay. If you’ve done this, or something comparable, you can understand the trauma of my last twelve months, in which I’ve moved twice, the first a long-distance move to temporary quarters followed just recently by a move to my new and hopefully permanent home, thankfully located in the same city as my temporary abode. After surviving these physical relocations, and living out of boxes and suitcases for almost fourteen months, I can truthfully say “never again, dear reader, never again!”
B. Books Old and Books New; Books Read, Unread and (Maybe) Never to be Read
Despite the difficulties of the last two months or so, I did manage to keep reading. After all, isn’t that what we’re all about? Admittedly, there were disappointments; these primarily centered on my sheer inability to write any reviews for the Japanese Literature in Translation or Independent Publishers months despite reading a few books for both events. Ah, well, that’s what next year is for, isn’t it? My reading choices this year have been all over the place, or perhaps more accurately, more all over the plan than usual (if you’ve read my blog at all, you can see that my taste tends to be, ahem, “eclectic”). As my opening photo demonstrates, my little pile of completed books includes pop pulp (The Godfather, special 50th anniversary edition); a few classics (Henry James’ Spoils of Poynton and Saki’s The Unbearable Bassington); a little literature in translation (Sayaka Murata’s Earthlings, for example) and a few fairly obscure offerings from an independent publisher or two, prompted by Kaggsy’s February event (Doon Arbus’ The Caretaker, published by New Directions, is a good example here). During the worst of my move I spent a great deal of time with Joe Abercrombie, an inexplicable choice, no doubt, to those who don’t share my taste for his fantastical grimdark world. What can I say? You either like this stuff or you don’t and, honestly, it was light relief to turn from movers, boxes and home contractors with Covid-19 problems to the exploits of Glotka the torturer. Although I generally enjoyed everything in my pile, some choices were particularly rewarding:
Although I have (almost literally) tons of books I want to get through this year as a result of various challenges, I have two or three in particular that I’ve added to my 2021 list:
Are any of you, dear readers, fans of Proust? If so, you absolutely owe it to yourself to at least spend an hour or so with:
Visual art was very important to Proust (“My book is a painting”), which is readily apparent from the literally hundreds of artists and paintings discussed at various points by the many, many characters who appear, disappear and reappear in In Search of Lost Time. Karpeles’ “visual companion” groups these many art works into chapters that correspond to Proust’s volumes; each entry has a brief introduction, a long quotation from the relevant passage in Proust and an illustration of the art, usually in color. Did you know, for example, that Swann “had the nerve to try and make” the Duc de Guermantes buy a painting “of a bundle of asparagus . . . exactly like the ones” the Duc and his guest were having for dinner? Quelle horreur! Thanks to Karpeles, you can see (and compare) Manet’s rejected Bundle of Asparagus with the Duc’s preferred painting, a “little study by M. Vibert” of a “sleek prelate who’s making his little dog do tricks.” Guess what, dear readers? The Duc should have followed Swann’s advice!
There’s a very good introduction, notes and an index listing the artists alphabetically and keyed to three different Proust editions. It’s been many years since I’ve read Proust and I’d forgotten the wonders of InSearch of Lost Time. After a few hours of browsing Karpeles, however, I’m tempted to re-read at least a volume or two. After all, there are several different editions!
On a last Proustian note: The New Yorker recently did a very good piece on “Conjuring the Music of Proust’s Salons,” in which Alex Ross reviews two recent recordings paying homage to an actual concert organized by Proust on July 1, 1907. Since Proust was as attuned to music as he was to literature and visual art, both recordings sound very interesting indeed. The New Yorker has, alas, a pay wall, but if you haven’t clicked too much this month the article is available at https://www.newyorker.com/magazine/2021/03/22/conjuring-the-music-of-prousts-salons.
What’s a miscellany without a few nature photos, thanks to Mr. J? Although I miss some of the parks and preserves that were reasonably accessible to my old home, my new one is located little more than a mile (about 1.5 km) from a nature preserve and some very lovely scenery. Nothing dramatic, you understand, or particularly historic (if you crave history and/or dramatic scenery, you should pop over and read about some of Simon’s lovely excursions) but still — nice.
If you’ve read this far, dear readers, you no doubt agree with me that it’s time for this particular miscellany to end. I hope to post a real review later on in the week; until then au revoir.
It’s very heartening to Janakay that 2020’s Juneteenth is being given such wide notice, much more, it appears to her, than in previous years. In part, of course, this is due to its coinciding with one of those pivotal moments of social protest and, hopefully, social change. In part — and this is perhaps saying the same thing in a different way — it’s due to the growing awareness among white Americans of a holiday that has been given little attention or prominence by white institutions or a white-dominated media. Janakay is not proud of the fact, but she was largely unaware of Juneteenth until a few years ago. But then, Janakay has spent most of her adult life unlearning the version of the American Civil War that she was taught as a child. The mythology of the “lost cause” and its fantasy of a civil war fought over tariffs and states’ rights rather than freedom and human dignity had no room for a day commemorating the end of a horror that had tainted the country from its beginning. Could it be that after a century and a half we in these (theoretically) United States are finally willing to lay aside our comforting blanket of false history and recognize the pain and injustice inflicted so long on so many of our fellow citizens? To acknowledge that all of us are entitled to justice and to ensure that all of us actually receive it?
Well, enough of the soap box! Let’s observe Juneteenth 2020 with one of Janakay’s favorite formats, the miscellany!
MISCELLANY FIRST: A New Type of Equestrian Statue
Any fans of Kehinde Wiley out there? Without being particularly knowledgeable about it, I’ve loved his work since I first saw it in one of my basic art history courses. Wiley, of course, is best known for his official state portrait of a certain American political leader . . . .
Wiley is particularly known for his portraits of young urban Black men, clad in contemporary dress but posed in the manner of the elite of western culture while holding centuries-old symbols of status and power. It’s a powerful way to bestow dignity and respect on a frequently marginalized group, as well as a slyly subversive comment on how western art has traditionally excluded or marginalized Blacks.
Have any of you, dear readers, traveled through the eastern and/or southern United States? If so, you will no doubt have noticed the multiplicity of monuments to various leaders and notables of the lost cause, not to mention the omnipresence of their names on streets, parks, buildings and military bases. For those of you who have successfully avoided current news (congratulations on that, by the way), many of today’s protesters have demanded the removal of these glorifications of the U.S.’ slave-holding past. Wiley’s elegant and powerful solution (a commission from the Virginia Museum of Fine Art) was the creation of a gigantic bronze equestrian statue that acknowledged the past while creating an image for the present:
By sheer chance my visit last November to the Virginia Museum of Fine Arts (located in Richmond) coincided with the permanent installation of Wiley’s great statute in the plaza in front of the museum. Although they’re not as detailed as I would wish, my photos do give some idea of the scope and scale of Wiley’s wonderful statue:
“Rumors of War” stands only a few blocks away from Richmond’s Monument Avenue, which contains five giant statues of Confederate leaders and is located almost directly across from the Memorial to the Women of the Confederacy. Well done, Kehinde!
MISCELLANY SECOND: Remembrance
Have any of you, dear readers, seen “The New Yorker’s” June 22 cover? The magazine has had some fabulous covers over the years, but this one by artist Kadir Nelson is something exceptional. Titled “Say Their Names,” it’s a closeup examination of the violence inflicted upon black people in America. The magazine’s website has an interactive feature that gives you factual information about each of the figures contained within George Floyd’s body, from Floyd himself to Medgar Evers (assassinated in 1963 by a member of the Ku Klux Klan) to Emmett Till (a fourteen year-old lynched in 1955) to “the Unnamed,” the enslaved people who were buried in unmarked graves.
For a more all encompassing examination of slavery’s legacy in the U.S., the New York Times 1619 Project is an incredible source of information; it was timed to coincide with the 400th anniversary of the arrival of the first enslaved Africans in Virginia.
MISCELLANY THIRD: Hope
The poets always say it best. What better way to end Juneteenth 2020 than with the hope that Hughes’ plea will, someday, be answered:
O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.
Well, dear readers, since I’ve now reached page eleven of my paper on Renaissance child portraiture, I’ve decided to break from the 16th century for (imagine a drum roll here) — Monday Miscellany! This week’s miscellany will be more of a miscellaneous mess than it usually is, as the unofficial deadline for my paper is next Friday (that scream you just heard, dear readers, is Janakay having a weensy little panic attack. Not to worry! I’m doing some deep breathing, so I’m much better now). Because this post is largely a quick stream of consciousness, with its various parts having absolutely nothing in common with each other, feel even freer than usual to click hither and yon. To suit my current mood, which is a visual mood, I’ll begin with photos and a quick trip down memory lane:
MISCELLANY FIRST: BIRDS!
Back when Janakay and Mr. Janakay were busily, if not happily, employed turning out thousands (well, maybe hundreds) of pages of legal tootle, those breaks away from the law books and the bustle were made as frequently and exotically as possible. If you want remote, exotic and sometimes (very) uncomfortable travel, then you were born to go on a professional bird tour (don’t dare ask Janakay about her camping experience on that mountainside in central Peru. She might tell you, complete with scatological details!) Here are a few colorful little mementos of trips past, thanks to Mr. Janakay’s awesome photographic skills (Janakay herself is far too lazy to carry that big old camera lens):
And, the rarest of them all — the Kagu! One of the most endangered birds on the planet, the Kagu lives in a small patch of preserved habitat on New Caledonia, a Pacific island (located about 750 miles or 1,210 km east of Australia) that is still affiliated with France (New Caledonia was a French territory that, I believe, rejected independence in a fairly recent vote).
MISCELLANY SECOND: DONNA TARTT: BOOK vs MOVIE
Does anyone out there besides myself adore Donna Tartt’s novels? I came late to the DT bandwagon and probably would never have read The Secret History, her first novel, had I been left to my own devices, as I had somehow gotten the impression that it was one of those sensationalist, potboiler, best-seller things. Well, fortunately, I wasn’t — left to my own devices, that is — I had an incredibly persistent literary-minded friend who talked me into trying it. Ten pages in and I’m a fan of Tartt and all her works! For life! I have totally drunk the Kool Aid (if you don’t understand this metaphor, it’s just as well). Where has this woman been my entire reading life? When is her next book coming out and how do I survive until it does? Can I join her fan club? I’m exaggerating, but not by much!
To be fair, Secret History is a bit of a sensationalist potboiler (and it did sell off the charts) but oh, my stars and whiskers, good gracious me — can that woman write! Throw in the fact that the plot concerns a group of oddball misfits who are studying classics at an elite New England school (I studied Latin and classics, among other things, at a much more plebian state university in the New England area, so I could identify. I and my fellow Latin students were weird! But harmless!) and I don’t mind admitting that I was not only hooked but mainlining! Unfortunately for those (like myself) who have addictive personalities, Tartt is not a prolific novelist. I had to wait over a decade for her second novel, The Little Friend. Was the wait worth it? Weeeeell …….. sort of; not really; maybe. The incredible way with words and literary skill were as great as ever but the narrative, for me at least, was a flop. Still — that brilliant writing, the creepy sense of atmosphere, the characters . . . .
Another long (very long) wait and then comes — The Goldfinch! The New York Times’ assessment (a “smartly written literary novel that connects with the heart as well as the mind”) was an vast understatement, in my opinion. I was powerless before a novel named for one of my favorite paintings, particularly one with the message that “art may addict, but art also saves us from ‘the ungainly sadness of creatures pushing and struggling to live.'” This is one long book — almost 800 pages — and while I read it I lived in Tartt’s world and not my own. I only wish I could read it again, for the first time, but we don’t get the same gift twice, do we? Given my reaction to the book, you can imagine my excitement when I learned last winter that a movie was coming out in September! Dread (“this book can’t be filmed”) warred with excitement (“I don’t care — I have to see what they do with Boris!”) and neither won. With trepidation mixed with longing and seasoned with hope (forgive my purplish prose, dear reader, but I was très excited) I marked the opening day on my calendar with a very large red “X” and started counting down the days until the movie came to a theater near me.
You can imagine my dismay when, a week or so before the opening day, the very negative reviews started rolling in. Strictly for the birds (so clever, the New York Times). A movie that “lies as flat as a painting.” (Oh, those critics! so entertaining!) The Washington Post critic, not to be outdone by her colleagues, didn’t like the movie either but couldn’t come up with anything clever to say; she had to settle on being offended by its “unmistakable air of unexamined privilege” and the WASPY sounding names of several of the characters (the novel is partly set in New York City’s Upper East Side, for gosh sakes! Of course the characters are privileged! Do we need to examine the socio-politico basis for it?) Oh, and she couldn’t sympathize with the main character, whom she found to be self-pitying (in case you can’t tell, I have severe reservations about WaPo’s movie critic, whom I’ve been stuck with reading for years). Perhaps I am being just a little unfair; no one, but no one, had a kind word to say about Goldfinch: the Movie. Critical opinion was so unanimous that the movie was an awful waste of time that even I, much as I loved the story, almost decided to skip the movie.
Last Friday, however, flush with the triumph of finishing page eight of my draft (did I mention I have a paper due this week? Oh, I did!) I made my way to the nearest art house theater that served alcohol and settled in for two hours and thirty minutes of “fabulous book into lousy movie” disappointment. And — I wasn’t disappointed! Was the movie as good as the novel? Of course not; it never is! Did it have faults? Oh yes — it was definitely a bit slow at times, and there were certainly things I didn’t like (some of the casting; the fragmented narrative) but on the whole I thought it was, actually, pretty good. And definitely worth seeing despite the flaws. But then, what do I know, compared to all the professional critics who panned it? My reaction was possibly due to a case of reverse expectations, i.e., the reviews were so very bad, my expectations were so very low, that anything short of a disaster would have made me happy. Perhaps I simply liked the novel so much that I’d put up with anything, just to see the characters on a screen in front of me. A mystery inside an enigma, to misquote a great man.
Have any of you, dear readers, seen the movie? If so, I’d really like to hear your reaction. Has anyone read The Goldfinch, or either of Tartt’s other two novels? Ditto! (and it’s o.k. if you’re not a fan! Despite my DT worship I can understand how others might be less smitten by her art. How very boring it would be, if we all liked the same things, wouldn’t it?) It’s almost a truism to say we’re always disappointed when a favorite book is made into a movie — what’s been your experience? Mine is usually “I hate, hate, hate the movie,” which is why I’m so interested in the fact that this time my reaction was actually quite different. The only comparable situation I can think of personally was David Mitchell’s Cloud Atlas; a complex and wonderful novel made into a sort of C+ movie that I sort of C+ liked! Any thoughts?
MISCELLANY THIRD: ART
Any René Magritte fans out there? (as I recall, Silvia likes his work!). I don’t know much about 20th century art but it’s hard to resist Magritte. Don’t we all need to have our world view shifted just a little at times? Magritte is very, very good at that! This painting is titled, for no particular reason that I know of, Sixteenth of September, which just happens to be today’s date (from where I’m typing at least). I’d like to say I thought of the painting myself, but truth compels me to give credit where it’s due — the New York Times’ daily cooking newsletter! Thrown in gratis, along with a recipe for meatloaf with carmelized cabbage! (If you’re interested, the newsletter also recommended Lara Prescott’s debut thriller, The Secrets We Keep. Has anyone read it yet?)
Have I mentioned that I have a big research paper to write on Renaissance child portraiture? Oh, I have!!! Since making that communique I’ve actually managed to complete a few pages at an astonishingly slow rate of production, so slow it would have gotten me promptly fired from my old brief-writing job, pleading (with utter sincerity) for truth, justice and the American way of life, not to mention the government’s right to collect its trust fund taxes or to impose appropriate market designs on various energy exchanges. (If you’re unfamiliar with trust fund taxes, market design or energy exchanges consider yourself very, very fortunate. I thought I had mercifully blanked it out, but I do believe the pressure of writing my portraiture paper is giving me stress induced flashbacks. I suppose it’s the equivalent of PTSD for a Vietnam vet). Anyways . . . . since I’ve just completed a paragraph or two on Renaissance family life (nutshell summary: father knew best) I felt totally justified in taking a teensy, weensy little break this morning involving breakfast out (i.e., someone else cooked), a farmer’s market and new (to me anyway) books. And, since it’s Monday, I have a perfect recipe (so to speak) for a Miscellany!
In a truly rare work break (smiley face here) from my Renaissance research this morning, I decided to catch up with my blog reading. My very first (and, as it happened, last) click of the day landed me here, where “Stuck in a Book” described in voluptuous detail a very recent and quite major book haul. Well, dear reader, Janakay has been a very good (and fiscally responsible) girl this summer vis à vis book purchases (interlibrary loan works quite well thank you) but . . . it’s just never safe, dangling temptation in front of an addict! And the combined omens were just so overwhelming — my very first blog stop discussing a book binge; the absolute necessity for a reward after all my hard work; the fact that my favorite breakfast spot is practically on the way to:
Well, it just all came together!
When I first drove up I thought the yellow “50% Off” sign was hyperbole but no! These guys were really discounting everything in the store by FIFTY PERCENT!!! What did I tell you about those omens? I mean — it was so obviously MEANT to be! I headed for the fiction section straightaway, but (another intervention by Divine Fortuna. If you follow my post to the end, you’ll see I’m in a Roman mood) I first had to pass through “Art History.” This section was pretty tightly packed (I had to move a few piles to get to stuff) and space was a bit limited, requiring me to sit on the floor to examine the treasures. The effort, however, was more than worth it, as I scored some major finds. (A tip for the temperate — you know it’s a binge when the cashier gives you a box and offers to help you carry your books to your car!).
My last art image, I promise, but I couldn’t resist just one more!
Miscellany third: Ancient Rome
At this point, I bet you thought I’d never get around to ancient Rome but ha! fooled you. I was headed that way all the time!
Last week I was very excited to have my first class in Roman art and archaeology. Back in the day, i.e., when I was a “real” student (trying very hard not to think about getting a job) I was very interested in classical subjects. Although my interest has waned over the years I still love classical culture and was thrilled when I was finally able to enroll in this course;
As I long ago discovered, however, one can love a subject and still find one’s mind wandering down wayward paths, particularly when one is trying to distinguish between two early Roman temples that look distressingly similar! During one such detour from required learning I found myself thinking about what a presence, still, ancient Rome holds in popular culture; from there I began mentally listing movies and books with a Roman theme (perhaps the equivalent of counting sheep?) Because there are literally hundreds and hundreds of these, I established the following parameters to keep my list manageable: (1) I allowed only 30-40 minutes to come up with titles (and a little longer to research a few); (2) I listed only items about which I had personal knowledge (i.e., I’ve either read it, read a review of it or have it on a TBR list) and (3) I attempted not to annotate (that part wasn’t very realistic, as you can see below). Since I may actually get around to making this into a real bibliography one day, I’d love to have additional recommendations or reactions to the titles. Also, as you’ll see, most of the listed books are pretty dated, so if you know more recent titles, please share!
Historical novels about ancient Rome (alphabetical by author):
Bulwer-Lytton, Edward. The Last Days of Pompeii. Perhaps the best known novel by an unfortunately prolific Victorian novelist. You may not know that Bulwer-Lytton penned the immortal opening lines, “It was a dark and stormy night.” His greatest claim to contemporary fame is that lines such as this inspired the annual Bulwer-Lytton Fiction Contest, in which entrants compete to see who can write the worst possible opening sentence for a novel. If all this doesn’t scare you off from reading Pompeii, I say — go for it! (You’ll be sorry.)
Caldwell, Taylor. A Pillar of Iron. The novel gives star treatment to Cicero; Caesar is a vaguely sinister character. I can’t believe it’s still in print, but life is full of such mysteries. Since my assessment may be inaccurate (it’s certainly biased. I spent a miserable semester trying to translate one of Cicero’s speeches) I feel compelled to note that one reviewer on Amazon refers to it as “one of the best books I’ve ever read.” Don’t you think that it’s differences in taste such as this that make our big beautiful planet so very interesting?
Dolan, Mary. Hannibal: Scourge of Imperial Rome (also published as Hannibal of Carthage). The Romans are the bad guys in this fictionalized recreation of the lost account of Sosylos, a real-life Greek historian (probably a freedman) who accompanied Hannibal over the Alps and into Italy in the Second Punic War. I read this novel several times as a kid and loved it. Tragically out of print.
Douglas, Lloyd. The Robe. A 1940s? 1950s? best seller with a religious theme (Roman soldier is present at the crucifixion); the stuff many movies are made of. Watch them and skip the book.
Duggan, Alfred. Family Favorites (not the warm and fuzzy kind! Set in the reign of an emperor who made Nero look like Santa Claus) & Three’s Company (the second Triumvirate of Mark Anthony, Octavian & Marcus Lepidus; told, in a typically Duggan touch, from the point of view of the non-entity Lepidus). I don’t think Duggan is much read these days; a pity as his wit is dry and his historical research impeccable. I prefer his novels set in Medieval times (Count Bohemund is great) but these are definitely worth checking out (Favorites at least is available on Kindle).
Fast, Howard. Spartacus. A best-seller from the 1950s; the movie, I suspect, is better known. Haven’t read it in years, so I’m not sure how it’s aged.
Flaubert, Gustave. Salammbo. I was so intrigued to learn that Flaubert wrote an historical novel set in the time of the first Punic War I bought a copy. What are TBR lists for?
Graves, Robert. I, Claudius & Claudius the God. Fabulous books, thankfully well known and readily available. Less well known but worth checking out if you like late empire (I do) is Graves’ Count Belisarius.
Harris, Robert. Pompeii. The title rather explains what’s going on, doesn’t it? My reaction was “meh” although Harris has a lot of fans out there. Are you one? If so, speak up! Janakay is open-minded (about books, that is!)
Shakespeare, William. Anthony & Cleopatra. O.K., I know it’s a play (I could have also listed Julius Caesar, but I like this one better). Worth it just to read Anthony’s “Let Rome in Tiber melt, and the wide arch Of the ranged empire fall. Here is my space.” If the story didn’t happen this way, it should have!
Sienkiewicz, Henryk. Quo Vadis? Did you know that Sienkiewicz won the 1905 Nobel Prize for literature? Neither did I, until I did this list! I do know that this novel has been the basis for a couple of movies. And — one of the novel’s great characters, Petronius the Arbiter, was “real;” Tacitus wrote all about him! (spoiler alert: Petronius comes to a tragic end when he falls out of favor with Nero). Petronius turns up again (below) as the author of the Satyricon.
Sutcliff, Rosemary. A wonderful English novelist who specialized in writing about Roman Britain (her Sword at Sunset is a wonderful, very realistic re-telling of the Arthurian legend). She did several novels classified as YA that, depending on your mood, are well worth reading regardless of your age (hey! I’m ancient and I just finished re-reading one); the best, IMO being The Silver Branch,The Lantern Bearers and The Eagle of the Ninth. I loved these books so much I’m seriously considering a nostalgia purchase of the reprints (with original illustrations) offered by the folks at Slightly Foxed (a wonderful quarterly publication for those who read BTW).
Waltari, Mika. The Etruscan & The Roman. Waltari was a Finnish writer who did several of these single title thingeys; perhaps the best known is The Egyptian. I’m not sure I’d like them now, several thousand books after I first encountered them, but I do recall particularly enjoying The Etruscan, perhaps because that pre-Roman culture is just so very mysterious.
Vidal, Gore. Julian. The life of this last pagan emperor of Rome (and enemy of the emerging Christian faith) was grist for Vidal’s pen. If you like Vidal, you’ll probably like this. If not, stay away, life is short.
Wallace, Lew. Ben Hur: A Tale of the Christ. Did you know that Wallace was a general (Union variety) in the U.S. Civil War? Mr. Janakay, who knows quite a bit about the subject, informs me that Wallace was “not bad” as a military commander and that he rather unfairly took the fall for the Union’s first-day losses at the battle of Shiloh. As for his literary ability — well, I’d probably just watch the movie (particularly if you like mega-Hollywood, old-timey Charlton Heston things).
Warner, Rex. The Young Caesar and Imperial Caesar. Warner was an English classicist; these two books are fictionalized first person accounts of Julius Caesar’s life. Although they’re stand alones, you’ll need to read both to get Caesar’s entire life. I was pleasantly surprised to learn they’re available on kindle for a modest price; they’re now on my “will one day re-read them” list. When I do so, I’ll let you know if they’ve held up well!
White, Edward Lucas. The Unwilling Vestal (a Tale of Rome Under the Caesars). A former professor of mine (“The Classical Epic in Translation”) spent much class time raving about this old novel’s whimsical charm. Being an impressionable child, I wasted a couple of days discovering the guy had lousy taste for novels originally written in English. Learn from my example, grasshopper!
Wilder, Thorton. Ides of March. Set in the last days of the Roman Republic & a very popular read in the 1950s, when (I believe) it reached best seller status. Not sure how it would date; if you’ve read it — let me know!
Williams, John. Augustus. Re-issued fairly recently in one of those nice NYRB classics editions. This is one that’s been on my TBR list for some time. Williams BTW is also the author of Stoner, the newly re-discovered lost classic du jour.
Yourcenar, Marguerite. Memoirs of Hadrian. Another permanent resident on my TBR list.
Contemporary (and popular) mystery series set in ancient Rome:
Davis, Lindsey. Marcus Didius Falco mysteries. I started reading these as they were being published and lasted through the first four or five. Don’t get me wrong, it’s a wonderfully funny, well-plotted and entertaining series but . . . we all have to say good-bye sometimes.
Saylor, Steven. His Sub-Rosa series is set in the time of the late Republic and centers on the exploits of a detective known as Gordianus the Finder. There are a lot of books in this series (twelve? fourteen? difficult to count, as I believe there’s also a novella or two); the few I read back when were quite good but — three was enough!
Science Fiction directly inspired by Roman history:
Asimove, Isaac. The Foundation Series. An incredibly influential sci-fi classic (Elon Musk & Paul Krugman cite it as inspiration); the ancient Galactic empire is dying and humanity faces centuries of barbarism. Edward Gibbon’s Decline & Fall, anyone? I read this work repeatedly in my teens; my attempted re-read about twenty years ago was a tragic failure. Like much of early sci-fi, brilliant ideas combine with a clunky style, which I can no longer handle (after a similar experience with another Asimov novel, I’ve decided my love affair is over!). Others, however, have had different reactions, so check it out for yourself.
Contemporary essays about the classics (includes Greek classics):
Mendelsohn, Daniel. How Beautiful It is and How Easily It is Broken. Mendelsohn is a scholar steeped in the classics; he has the rare and wonderful ability to link classical themes to current pop culture. I’m not a big reader of essays, but I loved this collection.
Beard, Mary. Confronting the Classics: Traditions, Adventures, and Innovations. Your very own tour of the ancient world, with one of the greatest classical scholars on the planet as your guide. And — she can write! If you’re at all interested in the classics, this is a necessity.
Hamilton, Edith. The Roman Way. An oldy, but a goody; very readable essays on the major Roman authors. Hamilton gives non-Latinist a wonderful sense of the various authors’ styles, as well as lots of substantive information about the works’ contents. Hamilton’s The Greek Way is even better, but that’s off topic!
Writings by actual, real life ancient Romans that are worth checking out:
Please keep in mind that I’ve only read a smidgen of the vast amount of available material, and did that years and years ago. (In other words, additional suggestions are welcome.) But since I’m nothing if not foolhardy, here’s my very selective, highly idiosyncratic and very limited list. Do you have any Latin favorites? If so, share, share!
Apuleius. The Golden Ass. The only Latin novel to survive in complete form; adventures of a would-be sorcerer who mistakenly turns himself into a jackass (if memory serves, I think he wanted to change into a bird but got the spell wrong). Aside from its considerable literary merits, I have a soft spot for this one. Back in the day, I loaned my copy to a friend who was driving home for Christmas. When she was pulled over for speeding (hey! we all want to get home quickly for the holidays!), my loaner was clearly visible in the empty passenger seat. The cop who flagged her down not only found the title hilarious, he also thought it perfectly described his patrol partner. The cop was so amused, in fact, that my friend got off with a warning rather than a ticket! Never say reading great literature doesn’t pay off!
Petronius. Satyricon. The author was a favorite courtier of Nero’s until he criticized the imperial poet’s rhymes (not to mention his musical skills) once too often (see Henryk Sienkiewicz, above). Only fragments survive, but as one of them is Trimalchio’s Feast, it’s a must-read. Warning: not for the squeamish or puritanical (I learned lots of interesting Latin verbs the semester we read this). The translation you choose is everything for this particular classic; look for the liveliest, most irreverent possible. You could always watch the Fellini movie of the same name if you don’t feel like reading (it’s filled with arresting images) but the book is better.
Virgil. Aeneid. If you like epics, only the Iliad is better (well, maybe Beowulf, but that’s a different culture). Read the poem and you’ll discover why Dante made Virgil his guide through the afterlife, the poetry is that good (particularly the chapters about Dido, one of the best female characters in all of classical lit).
Catullus. If lyric poetry’s your thing, it doesn’t get much better. Catullus was probably the only guy of his day and time who didn’t realize his beloved Clodia was the most sexually promiscuous woman in Rome and a husband-poisoner to boot; but it’s that kind of blindness that makes great love poetry. Although the Clodia poems (he calls her “Lesbia” but no one was fooled) are probably his best known work, Catullus’ poetry covers much more ground. His poem on Attis, who joins the priesthood of the savage goddess Cybele, is incredible (not, not, not for the faint at heart) and there’s the wonderful poem written when Catullus visited his brother’s grave (“now and forever, brother, hail and farewell”). Many, many translations are available.
Ovid. Metamorphoses. A prime source for every myth you ever wanted, or needed, to read. Trust me, reading Ovid will make it much easier for you to enjoy the artwork the next time you visit the museum (when in doubt European artists have always turned to Ovid for a subject).
Histories: if you’re into the (technically) non-fiction, there’s lots and lots to chose from. A “you were there” account from the front: Caesar’s Gallic Wars, perhaps the oldest surviving piece of cleverly disguised political propaganda (Caesar wrote it to convince the folks back home that he was a serious military commander). Juicy, filthy, wonderful gossip (in the 21st century, this guy would be working for the tabloids): Suetonius’ Twelve Caesars. Stern, republican, “this is what made us great” virtue: Livy (in our day, he’d probably be writing political speeches).
Well, that’s it for tonight folks! I’d love to hear comments, or additions to my list, but for now it’s back to those two very similar, early Roman temples . . . I think one of them has a few more columns on the left side . . . .
If you’re a visitor to my blog, you may have noticed that my postings have been a little, ahem, erratic in the last month or so. What I have posted has perhaps been more visual and nature oriented than literary or bookish, which isn’t to say that my interests have shifted. As much as I love my nature viewing and museum visiting (I’ve at least two very nice regional museums to share with you, so watch out!) my life remains centered on books and the printed word, as it has been since I learned to read around the usual age of six or so. While I’ve been nature viewing, I’ve also been reading as much as ever (perhaps even more so) but — I hide nothing from you, dear reader — Janakay is just a teensy-weensy bit lazy! And it’s so much easier to read the wonderful books than to organize my thoughts and string them together in coherent sentences! Although I’m actually on track as far as the reading goes to meet my two challenges (Roofbeam Reader’s TBR, and Books and Chocolate’s Back to the Classics), I’m woefully behind in writing and posting the reviews of all that I’ve read. Monday is “Miscellany Day,” however, so I’m doing a hodgepodge of related topics; because the relationship is a rather loose one, feel free to skip around!
My first Miscellany is — Anna Maria, a barrier island off Florida’s Gulf Coast, and its nearby areas (I’m just back from a visit and sorting through photos).
While I was visiting Anna Maria, I did lots and lots of reading, which brings me to my second Miscellany: books that I started, stopped or finished during my time there:
And since I’m doing books, make sure your visit to Anna Maria includes a side excursion to nearby St. Petersburg (the drive is lovely) and the wonderful:
Are you surprised to learn that I’ve added to my TBR pile?
My third and final miscellany: Jane Austen’s Sanditon, the novel left unfinished at her death. Has anyone read this? Or, unlike myself, realized the importance in Austen’s fiction of seaside resorts and beach villages? Today’s Guardian has a wonderful article discussing Austen’s use of seaside resorts — a key scene in Persuasion occurs in Lime Regis; Lydia Bennet elopes from Brighton and Austen herself may have enjoyed a seaside romance. The article suggests that in Sanditon, Austen may have written the first seaside novel; at any rate, she certainly anticipated “what the seaside has come to represent in later modern fiction,” such as Chopin’s TheAwakening, Woolf’s To the Lighthouse or Banville’s The Sea.
The exciting news? Sanditon is being adapted for an eight part series on ITV, which will air this autumn! Thoughts anyone, about Anna Maria Island, Sanditon or any of my other reads?
Are you, dear reader, a worshiper of the weekend? On Monday mornings do those two precious days glimmer like a mirage on the far horizon; a heavenly vision that gets you through those nasty mid-week blues? I must admit that I’m more tolerant of weekdays and less reverent about weekends since I’ve left the 9 to 5 routine but — they do remain special. Weekends are little breaks from the mundanity of everyday routine, with even the most ordinary non-special-occasion weekend offering its own little serendipities. The greatest, of course, is the weekend read. An entire afternoon, with no chores or commitments, and nothing, absolutely nothing, between you and the book of your choice. A treat of this caliber is rare, even on weekends, but there are lesser delights to savor. On weekends, the morning’s hasty bagel breakfast can expand to include a friendly interchange with the bagel chomper at the next table, or the harried trip to the grocery store can become leisurely enough to notice (finally) that nice patch of flowers along your route. Or — hang on to your hat, Magellan! — you might feel relaxed and adventurous enough to explore a different route to a familiar destination; or even to try a different activity — a new store, an unfamiliar park or museum or that obscure cafe you’ve being hearing about. Even the domestic routine mellows out — weekends are for trying new recipes, or looking at forgotten photos, or giving the cat an extra tummy tickle along with his/her’s Little Friskies Gravy Lovers’ Treat (a huge favorite in my household). In short, weekends are for doing all those little things that are actually very big things.
Although weekends are pretty super any time of the year, summer weekends are really unbeatable. One huge factor contributing to their charm — farmers’ markets! Do any of you live near farmers’ markets and, if so, do you enjoy them as much as I do? In my area, they’ve gone from being rather rare to being ubiquitous. Although you may find, depending on location, a pop-up market on Friday, or even Thursday, Saturday morning markets tend to be the most popular. Many of the markets also include much more than the usual fruits and veggies (although I tend to stick to the produce). The Saturday morning farmer’s market is one of summer’s delights, combining exercise (well, sort of — you do have to walk past the stands), entertainment (if nothing else, there’s always people watching, or a clever dog chasing a frisbee) and really great food:
When you’ve had enough of the farmers’ market, or if you decide to skip it that week, not to worry! Summer weekends have still more delightful possibilities for the dedicated hedonist! Although my ideal physical exercise is ordinarily confined to turning a page, in the summer I actually like to walk. One of my very favorite places for a summer’s stroll (quite accessible from where I live, but, unfortunately, not terribly close) is Little Bennett, a gorgeous multi-use state park containing numerous paths and trails, natural wonders in the form of native plants and critters and some interesting historical sites. Although Little Bennett is under increasing pressure from a growing population (it’s only a couple of miles from a recently developed “town center” that added approximately 20,000 people to this part of the state), it remains an incredible oasis of natural beauty. Because Little Bennett is a large place (3700 acres or about 1497 hectares), quiet and solitude can be found there even on crowded weekends. It has a variety of trails, suited to almost every energy level:
A third summer delight for those less outdoorsy moments is taking a bit more time to savor the cultural offerings that come with the season. This year I hit the jackpot, as there’s a wonderful June-August exhibition at the National Gallery on:
(in the first exhibition photo, you can see that this digital display is located to the right of the entrance; as you can tell from the sound — you may want to use mute — its animated animals are quite popular with the kids).
Since summer is my time for exploring, I usually visit the Gallery’s east wing, devoted to modern art, more often than I do at other times of the year. The east wing has recently reopened after a five-years renovation. Its totally gorgeous galleries are expansive, roomy and filled with light.
Although this post is growing dangerously long, in the spirit of Miscellaneous Monday I’m throwing in some miscellaneous video, also from the National Gallery (as you’ve probably guessed by now, I’m learning how to use video on my website!) One of my favorite parts of the museum is its “people mover,” part of an underground concourse that connects the older West Building to the Gallery’s newer East Wing. The lights you see in the video are part of the Multiverse light sculpture created by the American artist Leo Villarreal:
Immediately preceeding the people-mover/light sculpture is the National Gallery’s “waterfall,” which is visible from the underground cafeteria and bookstore and provides a source of natural light to these spaces:
Finally, if all this activity is just too energy consuming, nothing is better on a summer weekend than just plain taking it easy in a favorite spot:
Are there any Guy du Maupassant fans out there? If so, I’d certainly welcome your thoughts on his work. I’ve just finished one of his novels, Like Death, and don’t know quite what to think. I, dear reader, also have a confession to make that does not speak well for myself, namely that despite du Maupassant’s international reputation as a master of the short stoy, I was barely acquainted with his work. And, my heavens, there’s certainly a lot of it to meet!
Although dying at age 42, Maupassant was an incredibly prolific writer who produced over 300 short stories, six novels, several travel books and lots of journalism in his brief writing career. Of all that treasure trove I had read, prior to this time, one short story — “The Necklace” — and that only because I was required to do so in a literature class I was taking oh, so many, many years ago. Despite enjoying the story (more than many of the others I was required to read), I had no interest at the time in further exploring Maupassant’s work. Well, dear reader, a few years ago I purchased a copy of Maupassant’s Like Death (reissued by NYRB Classics in one of those gorgeous paperbacks that it does so well, i.e., acid free paper, tasteful cover art and introductions written by well-known folks), with the idea that his time for me had finally come at last! And yet, and yet — the book has sat on my shelves, gathering dust for, oh, at least a couple of years. All I can say is “thank heavens for reading challenges,” particularly ones that require me to stretch myself a bit. Because I needed a selection for the “Classic in Translation” category for the 2019 Back to the Classics Challenge hosted by Books and Chocolate, I’ve actually, finally gotten around to reading a second work, and a novel, no less, by Guy du Maupassant.
Like Death revolves around a simple but piquant situation. Olivier Bertin is a wildly successful society painter, acclaimed by the critics and beloved by the haute monde of late 19th century Paris. As though to prove that life never seems to distribute its gifts fairly, Bertin is also good-looking, witty, athletic and, on the whole, not a bad guy. The novel implies, without telling us his precise age, that Bertin is somewhat past the midpoint of life; although he is beginning to feel his age, Bertin is still vigorous and eager to enjoy all the good things that life has to offer.
Included among the good things is Bertin’s long-standing relationship with Anne, Countess de Gilleroy, who has been Bertin’s mistress for over twelve years; the two began their passionate affair when Anne’s politician husband retained Bertin to paint his wife’s portrait. Anne, a beautiful and intelligent woman, is quite adept at maintaining a delicate equilibrium between husband and lover; when as a young woman Anne was first presented with her husband-to-be, she quickly realized that “one cannot have everything” but must seek a balance between the good and the bad aspects present in every situation. The countess is a successful society hostess, a devoted wife who listens with apparent interest to her husband’s accounts of his legislative triumphs (monsieur le comte particularly enjoys discussing agricultural issues) and a tender mother to her only child, her daughter Annette. The chatelaine of an elegant establishment (designed principally to appeal to her lover Bertin), the countess has structured her entire emotional life around her relationship with Bertin. She is, in short, as passionately in love with the artist as she was as a young girl while Bertin, on the hand, regards their long-standing affair as more of an amitié amoureuse — a loving and irreplaceable friendship that is, nevertheless, lacking the magic and intensity of its earliest days.
The lovers’ delicate equilibrium is upset by the entry onto the scene of Annette, who has returned to Paris after a country upbringing to make her debut and to marry the excellent young aristocrat whom her father has selected for her. Annette, whom the painter has not seen since she was a child, is the very image of her beautiful mother minus twenty years or so. The aging Bertin is immediately and inevitably attracted; with great psychological acuity Maupassant charts Bertin’s emotions as he transfers his love from the aging countess to her young and unsophisticated daughter on the cusp of marriage and adulthood. Bertin initially justifies his feelings for Annette by conflating his love for the two woman; his attraction for Annette, he (falsely) tells himself, is due simply to the fact that she is in some ways a reincarnation of her mother; his love for one inevitably includes his love for the other. Ultimately, however, Bertin realizes that his passion for the countess has been totally subsumed by his love for her daughter. The countess, of course, realizes far sooner than Bertin what is happening; while the novel focuses on Bertin it also presents a masterful and sympathetic portrayal of a strong and intelligent woman who is facing her emotional death and physical mortality with both dignity and courage.
Plot-wise, that’s it! The “action” in this novel — the countess gives a dinner; she and Bertin meet their friends at the opera; Annette and Bertin walk through the park and so on — is a dull affair to us barbaric 21st century types. There is, nevertheless, a great deal going on in this novel, albeit on an emotional and psychological level. Although I did not find Like Death to be an altogether successful novel (more below), I have nothing but admiration for Maupassant’s grasp of psychology. Based on the vast knowledge obtained from reading a single short story (please understand, I’m being sarcastic here) I had expected a well drawn, realistic description of late 19th century life among the well to do, as well as a twisty ending. I was totally unprepared, however, for the subtlety of Maupassant’s psychological insight and the skill with which it was presented. To give just one example, Maupassant sets a key scene in which Bertin realizes both his mortality and the hopelessness of his passion for the young Annette at the opera, where Bertin is listening to Faust, a story in which an aging scholar sells his soul for eternal youth and the love of a much younger woman. Time and again Maupassant uses a small but convincing detail to expose a character’s state of mind, or sketches a scene of utterly convincing psychological realism.
So what’s my overall assessment of the novel, both positive and negative? In addition to the positive points that I’ve already discussed it’s worth noting that various critics (who, unlike myself, can actually read French) have found the NYRB translation to be extremely well done and lively (apparently stiff and artificial translations have in the past hampered Maupassant’s popularity with anglophones). On the negative side, however, I thought the interior nature of the story was perhaps better suited to a short story than a novel and that certain melodramatic plot devices rather undercut the subtle psychology that was elsewhere so evident.
There are a number of equally successful ways for a modern reader to approach this novel. The easiest, and the most fun, is to regard it simply as a wonderful period piece. If you choose this approach, pretend that a maid has just dusted your reading space (this requires a lively imagination if you’re reading in my living room), imagine that those wilting flowers from the farmer’s market are a fresh bouquet of ivory-colored roses in a crystal vase, pour yourself a glass of champagne (make this part real, not imaginary), put some Debussy on the stereo (or, better, Fauré) and settle in to enjoy the wealthy and well-connected life of 19th century Paris. If you’re a bit more of a literary scholar, read the introduction by the novel’s talented translator, who makes a very cogent argument that Maupassant’s techniques influenced the latter work of Marcel Proust. If you’re attracted to issues of gender, well, focus on the countess, the societal constraints dictating her choices and how a strong and determined personality can nevertheless fashion her own life. Finally, the novel’s treatment of aging and mortality, and of how we all face both, give it a universal appeal.
Although I’ve already gone on for far too long, I simply must ask whether anyone else loves the painting I used at the beginning of this post? Although a good deal of 19th century art leaves me cold, Cailebotte’s Rainy Day is one of my favorite paintings in the entire universe (and just think — we’re lucky enough to have it in the U.S., in Chicago!). I cheated a bit to use it here, as Bertin, an academic painter, would have been horrified by Cailebotte’s new-fangled Impressionist style, with its cropped figures and unusual geometry.
If you, dear reader, are even remotely like myself, you are always searching for something, whether it’s the meaning of life or the location of the laundry detergent! These days, perhaps because of the weather (will winter never just leave and go back to the arctic where it belongs?), I’m particularly restless, with a number of moderately intense searches going on. For instance:
I am …..desperately searching for spring!
…. contentedly searching for completion!
…. optmistically searching for a topic for my research project!
…. relunctantly seeking domestic order!
…. stoically searching for closure!
…. delusionally searching for physical fitness!
…. happily seeking harmonious sounds!
And you, dear reader — what are YOU searching for, in these days before the official arrival of spring?