Hello there, dear readers, assuming there are any of you left after my months of silence! Never one to overburden others with my written words (many, many years of turning out legal tootle on schedule finally induced me to take pity on myself and others in this respect), I was nevertheless shocked, positively shocked, to see that it’s been almost three months since I’ve posted anything on my moribund little blog. However did the blogosphere survive my absence? (Rest assured that my question here is satirical!) Although I’ve not been posting I have spent the last few weeks catching up on my blog reading and have no doubt annoyed some of you very much indeed by leaving long, rambling comments on your blogs. You may consider yourself revenged by the fact that your excellent reviews have caused me to add several new peaks to my own Mount TBR of unread books. I’ve simply lacked the energy and concentration, however, to contribute to the online bookish discussion by writing my own reviews. But all this is slowly, slowly changing, now that life is settling down and the boxes are (mostly) unpacked. Because I’ve practically forgotten how to type, much less arrange my thoughts in a coherent structure, I thought I’d ease myself back into things through the forgiving medium of a “miscellany” rather than a formal book review (hopefully the latter will start trickling in during the next few weeks, as I’ve been reading some lovely things).
Because the following sections are totally unrelated to each other, if you find one boring you aren’t missing a thing by scrolling down to the next.
A. MOVING (of most interest to those having a sadistic turn of mind)
Have you ever moved, dear reader? I don’t mean a student move, where you leave the plant at your mom’s, stuff the dirty undies (would one say “knickers” in the U.K. or is this term dated? If you’re British, please enlighten me here) in your backpack and — presto! — off you go! I mean a real, honest-to-god move involving a houseful of furniture; several thousand books; three snarling, foul-tempered cats who were perfectly happy in their old home and a stressed out Mr. Janakay. If you’ve done this, or something comparable, you can understand the trauma of my last twelve months, in which I’ve moved twice, the first a long-distance move to temporary quarters followed just recently by a move to my new and hopefully permanent home, thankfully located in the same city as my temporary abode. After surviving these physical relocations, and living out of boxes and suitcases for almost fourteen months, I can truthfully say “never again, dear reader, never again!”
B. Books Old and Books New; Books Read, Unread and (Maybe) Never to be Read
Despite the difficulties of the last two months or so, I did manage to keep reading. After all, isn’t that what we’re all about? Admittedly, there were disappointments; these primarily centered on my sheer inability to write any reviews for the Japanese Literature in Translation or Independent Publishers months despite reading a few books for both events. Ah, well, that’s what next year is for, isn’t it? My reading choices this year have been all over the place, or perhaps more accurately, more all over the plan than usual (if you’ve read my blog at all, you can see that my taste tends to be, ahem, “eclectic”). As my opening photo demonstrates, my little pile of completed books includes pop pulp (The Godfather, special 50th anniversary edition); a few classics (Henry James’ Spoils of Poynton and Saki’s The Unbearable Bassington); a little literature in translation (Sayaka Murata’s Earthlings, for example) and a few fairly obscure offerings from an independent publisher or two, prompted by Kaggsy’s February event (Doon Arbus’ The Caretaker, published by New Directions, is a good example here). During the worst of my move I spent a great deal of time with Joe Abercrombie, an inexplicable choice, no doubt, to those who don’t share my taste for his fantastical grimdark world. What can I say? You either like this stuff or you don’t and, honestly, it was light relief to turn from movers, boxes and home contractors with Covid-19 problems to the exploits of Glotka the torturer. Although I generally enjoyed everything in my pile, some choices were particularly rewarding:
Although I have (almost literally) tons of books I want to get through this year as a result of various challenges, I have two or three in particular that I’ve added to my 2021 list:
Are any of you, dear readers, fans of Proust? If so, you absolutely owe it to yourself to at least spend an hour or so with:
Visual art was very important to Proust (“My book is a painting”), which is readily apparent from the literally hundreds of artists and paintings discussed at various points by the many, many characters who appear, disappear and reappear in In Search of Lost Time. Karpeles’ “visual companion” groups these many art works into chapters that correspond to Proust’s volumes; each entry has a brief introduction, a long quotation from the relevant passage in Proust and an illustration of the art, usually in color. Did you know, for example, that Swann “had the nerve to try and make” the Duc de Guermantes buy a painting “of a bundle of asparagus . . . exactly like the ones” the Duc and his guest were having for dinner? Quelle horreur! Thanks to Karpeles, you can see (and compare) Manet’s rejected Bundle of Asparagus with the Duc’s preferred painting, a “little study by M. Vibert” of a “sleek prelate who’s making his little dog do tricks.” Guess what, dear readers? The Duc should have followed Swann’s advice!
There’s a very good introduction, notes and an index listing the artists alphabetically and keyed to three different Proust editions. It’s been many years since I’ve read Proust and I’d forgotten the wonders of InSearch of Lost Time. After a few hours of browsing Karpeles, however, I’m tempted to re-read at least a volume or two. After all, there are several different editions!
On a last Proustian note: The New Yorker recently did a very good piece on “Conjuring the Music of Proust’s Salons,” in which Alex Ross reviews two recent recordings paying homage to an actual concert organized by Proust on July 1, 1907. Since Proust was as attuned to music as he was to literature and visual art, both recordings sound very interesting indeed. The New Yorker has, alas, a pay wall, but if you haven’t clicked too much this month the article is available at https://www.newyorker.com/magazine/2021/03/22/conjuring-the-music-of-prousts-salons.
What’s a miscellany without a few nature photos, thanks to Mr. J? Although I miss some of the parks and preserves that were reasonably accessible to my old home, my new one is located little more than a mile (about 1.5 km) from a nature preserve and some very lovely scenery. Nothing dramatic, you understand, or particularly historic (if you crave history and/or dramatic scenery, you should pop over and read about some of Simon’s lovely excursions) but still — nice.
If you’ve read this far, dear readers, you no doubt agree with me that it’s time for this particular miscellany to end. I hope to post a real review later on in the week; until then au revoir.
Although I’ve been blogging very little in this our year of the plague, I have (as I noted in my last post) been reading fairly steadily since 2020 rolled around. Because there wasn’t a dud book in the bunch (isn’t it gratifying, dear reader, when one is on a streak of reading good books?) I thought I’d share a quick recap of some of the excellent works of fiction that have come my way in this year. What I’m offering are quick impressionistic snapshots rather than in-depth reviews (Janakay is not by nature profound, and constant handwashing and unpacking make it so very difficult to concentrate right now). In making my list I noticed the emergence of a monthly sort-of pattern to my reading. One month was heavy on thrillers & science fiction while another tended towards “serious” novels; one month tilted to the classics and another to the contemporary, and every month included a comfort read, which generally coincided with a stressful key moment in my long-distance move! Have you, dear reader, in your great journey through the universe of literature, noted any similar tendencies or patterns in your own seasonal reading? Do you read classics when it’s cold and drippy outside or eagerly head towards light bubbly froth for those delightful days of lying on the beach? Or do you, like Janakay, indulge in counter-programing, saving all those serious literary chunksters for your lazy summer afternoons? Well, enough with the philosophical musings and on to my list!
As befitting a month associated with endings and beginnings, my January reading contained both old and new, as well as one of Janakay’s own very special little rituals. Are any of you, dear readers of mine, superstitious about books? (If so, don’t be embarrassed — do share your little kink. Janakay won’t tell!) I’m quite superstititious myself, especially about the first book I start in any new year (books I’m finishing don’t count). I regard my first new book in January as an omen for the upcoming year; if it’s a really good book, well, the gods have spoken, haven’t they? They have promised I’ll have a great year of reading ahead of me!
To increase my chances that my January ritual will have a favorable outcome I tend to go with a classic when a new year rolls around or, gasp, even reread something I’ve loved in the past (Janakay regards this as a prudent precaution rather than a cheat. Honestly, don’t we all load the dice, when we can?) This year, however, I decided to gamble a bit on Ann Patchett’s The Dutch House, a modern fairy tale of two siblings, a wicked stepmother and the enchanted house they all longed to possess. I really like Ann Patchett’s work (I think I’ve read almost all of her novels) and I’d had my eye on this one since I read the advance notices. I’m happy to report that my gamble paid off; the novel was every bit as good as it was reported to be.
From contemporary I went to classic, spending the latter half of January with Sylvia Townsend Warner’s The Corner That Held Them. I had tried many years ago to read Corner, but had given it up after less than fifty of its three hundred plus pages; to put it mildly I had been totally unimpressed. How that Warner woman could dribble on! Had she no editor? Why was this book so different from her delightful Lolly Willowes? Whatever was Warner up to in this yawn-inducing tome? Was Corner a history or was it a novel? Either way, it was BORING and Janakay loathes being bored. Back on the shelf it went, to gather many layers of dust. Given my strong negative reaction, I naturally selected Corner for the “Abandoned Classic” category in the 2020 Back to the Classics Challenge hosted by Books and Chocolate. And — please note, dear readers, Janakay conceals nothing from you, no matter how embarrassing — her initial reaction to Warner’s novel was quite mistaken! In fact, you might say that Janakay missed the boat on this one or, if you were being particularly unkind, conclude that she even fell off the pier! Oh, my good gracious me, how the years can alter one’s judgment! Even in my callow youth, however could I have abandoned this wonderful novel? The Corner that Held Them really is a masterpiece and absolutely one of the best things Janakay has read in years — she was absolutely glued to the pages and bereft when the story ended. Hopefully, I’ll be posting a review later on, before all the details have totally faded but . . . the weather is so very nice right now, Janakay’s new house has its very own hammock and there are a great many interesting new books to read (Janakay adores novelty) ….
and, for particularly low energy days, an overwhelming temptation to browse in that most addictive of sources . . .
But, despite these considerable temptations, Janakay will heroically summon her energy and get busy writing a serious review! (at some point)
Before leaving January entirely, the month’s comfort read deserves a mention, being an early novel by Rumer Godden, The Lady and the Unicorn. Any Rumer Godden readers out there? Godden is one of Janakay’s favorites for those times when she’s in the mood for a well-written novel, an exotic setting and at least one psychologically interesting character. Godden’s technique is traditional (which is fine with Janakay) and she can be surprisingly perceptive on issues of class and race, an important trait when writing about the British Raj, which Godden so very frequently does. The Lady and the Unicorn centers on the three daughters of an Anglo-Indian family and their struggle to establish themselves in a world that regarded them as neither British nor Indian. Although the novel’s strong supernatural element distracted a bit from Godden’s sharp social observations, the ghost story was fun and was skillfully incorporated into the main story line. All in all, The Lady and the Unicorn was a great way to pass an afternoon and a welcome distraction from packing boxes.
February was a discovery month, bringing several new and wonderful novels in translation, thanks largely to Dolce Bellezza’s Japanese Literature Challenge 13. This was especially gratifying as Janakay is just the teeniest bit parochial in her reading, mostly sticking as she does to anglophone writers. Participating in Doce Bellezza’s challenge, however, demonstrated just how much Janakay has been missing in her rather narrow approach. What treasures are contained in even the sketchiest sample of Japanese writing! Looking for a terse and elegant story of doomed love, set in one of the most poetic and deeply atmospheric novels I’ve ever read? Try Yasunari Kawabata’s Snow Country. More into a contemporary tale of the ultimate non-conformist? You couldn’t do better than Sayaka Murata’s Convenience Store Woman, a chronicle of the deeply weird life and times of a very contented employee in one of Tokyo’s many “Smile Marts.” (I’d been intending to read this one for over a year. I’m happy to report it was definitely worth the wait). I also spent a few pleasant hours in which I finally got around to reading Banana Yoshimoto’s Kitchen, which I had come to regard as a permanent resident on my TBR list; while a little sentimental for my taste it was definitely worth the time I spent reading it.
And then, of course, there was Junichiro Tanizaki’s The Makioka Sisters, another book I had tried but abandoned several years ago. What a loss that would have been, never to have read it, especially since I had the added benefit of DB’s wonderful commentary. All of these great novels deserve far more than my brief nods, and Janakay was fully intending to share her thoughts and opinions with you, but, well, life intervened. Movers were a’ comin’ and she simply had to clean out her basement (a word of unsolicited advice, dear readers! Never, ever go twenty-eight years without cleaning out your basement!)
To a lesser extent, February was also short story month. Although I do respect the genre I ordinarily tend to avoid actually reading short stories, as I regard them as a bit of a tease — just when I’m getting interested, poof! They’re over! This year, however, I began seeking them out, as they seemed to lend themselves to my currently fractured attention span (so difficult to concentrate, don’t you find, with all this constant hand washing and disinfecting?). One of my rewards was re-discovering Daphne DuMaurier’s fantastic novella Don’t Look Now. Have any of you read it? If not, why are you wasting time on my blog? Click off instantly and read it now. Afterwards, settle in for a wonderfully creepy afternoon of watching Nicholas Roeg’s 1974 film version, with Julie Christie and Donald Sutherland making their doomed way through a darkly beautiful and sinister Venice.
If February was short stories & Japanese novels, March was packing boxes and saying good-byes; physically it was a long distance move and literature-wise a much quicker journey to some fun and distracting reads. I was particularly happy to (finally) sample the work of the very talented sci-fi writer N.K. Jemisin. Behind the curve as usual I had totally missed her acclaimed Broken Earth series, so I was particularly happy to read The City We Became, the first book in a new trilogy. Aside from being an unusual and gripping story, City’s view that cultural and ethnic diversity are necessary for our very survival made Janakay positively weep with gratitude, being such a refreshing respite from the jingoistic blather that seems so omnipresent these days. If you’d prefer an interior journey through a dark and twisted psyche to humanity’s struggle against an alien threat, I can happily recommend Flynn Berry’s A Double Life, loosely based on Britain’s Lord Lucan murder scandal. For a noir thriller with an interesting take on class, race and gender, check out Christopher Bollen’s A Beautiful Crime, an elegant tale of intrigue set mostly in Venice, (Janakay adores Venice, even though it’s been years and years since she visited). I also dipped a toe into some grimly funny Scandinavian fare, with Helene Tursten’s An Elderly Lady Is Up To No Good (Janakay was looking for inspiration and did find it there, although — reluctantly — she draws the line at offing those annoying neighbors of hers). As a bonus, it has an absolutely wonderful cover:
In April, it was back to more serious, albeit still contemporary, fare. As you may surmise from my most recent post, I’m a big fan of Emily St. John Mandel. Do any of you share my enthusiasm? After it became sadly evident that our current pandemic was not, suddenly, just going to “disappear” (and Janakay absolutely draws the line at injecting herself with bleach or swallowing light beams or whatever), I seriously considered re-reading Mandel’s Station Eleven, one of my highlight books from a few years ago. I decided, however, that until we see how Covid-19 plays out, I couldn’t emotionally handle Mandel’s story of a vicious, highly contagious disease that ended current civilization (isn’t it spooky, how great writers have their fingers on the zeitgeist?). I settled instead on Mandel’s latest, The Glass Hotel, published at the end of March. Somewhat to my surprise (Mandel’s incredibly talented, but how many great books can anyone, even Hilary Mantel, produce in one lifetime?) Glass Hotel was very nearly as good as its immediate predecessor. Admittedly, the novel has no feel-good characters (it’s based loosely on Bernie Madoff’s ponzi scheme), so if you want warm and fuzzy, you’ll need to look elsewhere. What it does have is beautiful writing, a wonderfully complex structure that uses shifts in time and point of view to reinforce and enrich the story, and an utterly believable, complicated and heartbreaking cast of characters, all of whom are, morally, some shade of grey. I was hooked in from the beginning and absolutely couldn’t put it down for the two days or so it took me to read. The only downside was that I had to wait for its impact to fade a bit before I could start another novel, because I knew that nothing I could read would be anywhere nearly as good. Have any of you read Glass Hotel? Or any other Mandel novel, for that matter? If so, I’d love to hear your opinions. I’d also be interested in hearing how you handle that period of time after you’ve read a novel that just blows you away. Do you read non-fiction? Play solitaire? Immediately go on to the next novel on your list? Do share your secret of survival!
After a few days of absorbing Glass Hotel and letting its impact fade, I settled in to enjoy another contemporary novel, this time by Lily King. Although I’d avoided reading Euphoria, King’s highly touted previous novel (I believe it was a New York Times Notable Book of the Year), I was curious about her work and decided to give her latest novel, Writers and Lovers, a try. Writers’ ostensible subject is the story of Casey, a thirty-something wannabe writer and part-time waitress; dealing with grief over her mother’s death, Casey struggles with her novel, works in a restaurant and becomes entangled with two very different men. Writers‘ real subject (IMO at least, don’t know if the critics would agree) is the creative process and the demands that it places on its devotees. I enjoyed the novel, without being overwhelmed by it; I was particularly taken with Casey’s criteria for determining a real bookstore and picked up several useful titles to add to my TBR list! (Knut Hamsun’s Hunger; Thomas Bernhard’s Woodcutters and, what I’m far more likely to actually read, Shirley Hazzard’s The Evening of the Holiday.) Prompted by an excellent review, I then sneaked in a quickie read of Camilla Bruce’s You Let Me In, a debut novel accurately described by The Guardian as a “smart, creepy fairy story” with a twist. If you, like Janakay, love Gothic horror and ambivalent endings, not to mention nasty malevolent fairies with a taste for human blood (not to mention hearts), then waste no time, dear reader! This is your book! Janakay’s one regret is that she didn’t save it for Halloween.
Well, that’s it for my round-up! What about yours? I’d love to compare lists!