As Mr. Janakay has occasionaly observed (admittedly somewhat to his peril), I do not possess a naturally sunny disposition. Unlike my more fortunate friends, I do not, alas, look for the silver lining purportedly possessed by even the stormiest cloud; think that it’s darkest just before the dawn; or consider a half-empty glass to be half-full. These days we live in are so very dark and dreadful, however, that I have decided to turn over a new leaf. Away with the doom and gloom! Up with the smiles and sunshine! For strictly pragmatic reasons, I have resolved to go from frowny to smiley face. Without some (perhaps irrational) optimism I see no way to survive the upcoming weeks, when I and my fellow Americans (of the U.S. variety) are clearly in for a very rough ride indeed. As part of my new program of sunshine & smiles, I’ve decided to compile a “Happiness List” of all the positive things that will keep me going in these stressful times. So — here goes!
The certain knowledge that 2020 will be over in fifty-six days and approximately four hours (depending on when I manage to finish this post). To borrow words once uttered by her British majesty during her own dark year, 2020 has been one annus horribilis and can’t end soon enough!
Will it surprise you, dear reader, to learn that I also “officially” voted earlier this week for one other thing to end as well? (Janakay doesn’t mean to be a tease, but no more details — some forums (fora?) need to stay neutral.) With respect to the current political situation, what can one say, except:
Having many, many wonderful new books, many more than I could read in a lifetime, but, hey — since when has practicality been a factor in my book acquisition? I began this awful year traumatized with the need to do a massive cull of my bookshelves, which I managed after some hysterics and the moderate assistance of medically prescribed tranquilizers. After dismembering my little library, I dumped the surviving volumes onto a moving truck that carried them away to their temporary new home, an unused bedroom where they’re currently sharing space with some lamp shades and a table or two. I retained, unpacked, only the very minimum number of books necessary for survival — perhaps 200 volumes or so — and resolutely refused to unpack the others, as they’d be moving again in a few months. My heroic restraint created empty space in the bookcases for the first time in my adult life! Well, we know that old saw about nature abhorring a vacuum, don’t we? I’m actually too embarrassed to disclose all of my new acquisitions, which are, frankly, quite enormous (I handle my stress by acquiring books). In mitigation, I plead extenuating circumstances: I began collecting my new stash months ago (last April to be exact); the NYRB Classics had several great book sales this year and many of you write really great blogs with excellent reading recommendations that I couldn’t resist (I’m like Oscar Wilde in one way at least, being able to resist anything but temptation). Below is an incomplete but fairly representative sample of my new books:
My third happiness is — gasp! new book shelves! Lots and lots of lovely, empty new shelves, just waiting to be filled when I finally complete my move.
Haven’t we all known the agony of triple stacking our beloved treasures, or even (horrors) boxing them away in one of those plastic slidey things that fit under the bed? Could it be that finally I will have enough space to alphabetize my fiction by authors’ last name and group my art books by artists? Reader, is it possible to have a greater happiness than this?
FOURTH (AND FINAL) HAPPINESS
Although I am definitely not an athletic type (turning the pages in my book, or clicking my kindle is quite enough exercise, thank you very much) I do find it absolutely necessary to touch nature at some level for at least some portion of time. In this respect, I’ve been lucky indeed; both my old home and my new have lots of green space.
Well, that’s it for my Happiness List. What’s on yours, dear reader? What’s keeping you afloat, so to speak, during these dark times?
Well, dear readers, since I’ve now reached page eleven of my paper on Renaissance child portraiture, I’ve decided to break from the 16th century for (imagine a drum roll here) — Monday Miscellany! This week’s miscellany will be more of a miscellaneous mess than it usually is, as the unofficial deadline for my paper is next Friday (that scream you just heard, dear readers, is Janakay having a weensy little panic attack. Not to worry! I’m doing some deep breathing, so I’m much better now). Because this post is largely a quick stream of consciousness, with its various parts having absolutely nothing in common with each other, feel even freer than usual to click hither and yon. To suit my current mood, which is a visual mood, I’ll begin with photos and a quick trip down memory lane:
MISCELLANY FIRST: BIRDS!
Back when Janakay and Mr. Janakay were busily, if not happily, employed turning out thousands (well, maybe hundreds) of pages of legal tootle, those breaks away from the law books and the bustle were made as frequently and exotically as possible. If you want remote, exotic and sometimes (very) uncomfortable travel, then you were born to go on a professional bird tour (don’t dare ask Janakay about her camping experience on that mountainside in central Peru. She might tell you, complete with scatological details!) Here are a few colorful little mementos of trips past, thanks to Mr. Janakay’s awesome photographic skills (Janakay herself is far too lazy to carry that big old camera lens):
And, the rarest of them all — the Kagu! One of the most endangered birds on the planet, the Kagu lives in a small patch of preserved habitat on New Caledonia, a Pacific island (located about 750 miles or 1,210 km east of Australia) that is still affiliated with France (New Caledonia was a French territory that, I believe, rejected independence in a fairly recent vote).
MISCELLANY SECOND: DONNA TARTT: BOOK vs MOVIE
Does anyone out there besides myself adore Donna Tartt’s novels? I came late to the DT bandwagon and probably would never have read The Secret History, her first novel, had I been left to my own devices, as I had somehow gotten the impression that it was one of those sensationalist, potboiler, best-seller things. Well, fortunately, I wasn’t — left to my own devices, that is — I had an incredibly persistent literary-minded friend who talked me into trying it. Ten pages in and I’m a fan of Tartt and all her works! For life! I have totally drunk the Kool Aid (if you don’t understand this metaphor, it’s just as well). Where has this woman been my entire reading life? When is her next book coming out and how do I survive until it does? Can I join her fan club? I’m exaggerating, but not by much!
To be fair, Secret History is a bit of a sensationalist potboiler (and it did sell off the charts) but oh, my stars and whiskers, good gracious me — can that woman write! Throw in the fact that the plot concerns a group of oddball misfits who are studying classics at an elite New England school (I studied Latin and classics, among other things, at a much more plebian state university in the New England area, so I could identify. I and my fellow Latin students were weird! But harmless!) and I don’t mind admitting that I was not only hooked but mainlining! Unfortunately for those (like myself) who have addictive personalities, Tartt is not a prolific novelist. I had to wait over a decade for her second novel, The Little Friend. Was the wait worth it? Weeeeell …….. sort of; not really; maybe. The incredible way with words and literary skill were as great as ever but the narrative, for me at least, was a flop. Still — that brilliant writing, the creepy sense of atmosphere, the characters . . . .
Another long (very long) wait and then comes — The Goldfinch! The New York Times’ assessment (a “smartly written literary novel that connects with the heart as well as the mind”) was an vast understatement, in my opinion. I was powerless before a novel named for one of my favorite paintings, particularly one with the message that “art may addict, but art also saves us from ‘the ungainly sadness of creatures pushing and struggling to live.'” This is one long book — almost 800 pages — and while I read it I lived in Tartt’s world and not my own. I only wish I could read it again, for the first time, but we don’t get the same gift twice, do we? Given my reaction to the book, you can imagine my excitement when I learned last winter that a movie was coming out in September! Dread (“this book can’t be filmed”) warred with excitement (“I don’t care — I have to see what they do with Boris!”) and neither won. With trepidation mixed with longing and seasoned with hope (forgive my purplish prose, dear reader, but I was très excited) I marked the opening day on my calendar with a very large red “X” and started counting down the days until the movie came to a theater near me.
You can imagine my dismay when, a week or so before the opening day, the very negative reviews started rolling in. Strictly for the birds (so clever, the New York Times). A movie that “lies as flat as a painting.” (Oh, those critics! so entertaining!) The Washington Post critic, not to be outdone by her colleagues, didn’t like the movie either but couldn’t come up with anything clever to say; she had to settle on being offended by its “unmistakable air of unexamined privilege” and the WASPY sounding names of several of the characters (the novel is partly set in New York City’s Upper East Side, for gosh sakes! Of course the characters are privileged! Do we need to examine the socio-politico basis for it?) Oh, and she couldn’t sympathize with the main character, whom she found to be self-pitying (in case you can’t tell, I have severe reservations about WaPo’s movie critic, whom I’ve been stuck with reading for years). Perhaps I am being just a little unfair; no one, but no one, had a kind word to say about Goldfinch: the Movie. Critical opinion was so unanimous that the movie was an awful waste of time that even I, much as I loved the story, almost decided to skip the movie.
Last Friday, however, flush with the triumph of finishing page eight of my draft (did I mention I have a paper due this week? Oh, I did!) I made my way to the nearest art house theater that served alcohol and settled in for two hours and thirty minutes of “fabulous book into lousy movie” disappointment. And — I wasn’t disappointed! Was the movie as good as the novel? Of course not; it never is! Did it have faults? Oh yes — it was definitely a bit slow at times, and there were certainly things I didn’t like (some of the casting; the fragmented narrative) but on the whole I thought it was, actually, pretty good. And definitely worth seeing despite the flaws. But then, what do I know, compared to all the professional critics who panned it? My reaction was possibly due to a case of reverse expectations, i.e., the reviews were so very bad, my expectations were so very low, that anything short of a disaster would have made me happy. Perhaps I simply liked the novel so much that I’d put up with anything, just to see the characters on a screen in front of me. A mystery inside an enigma, to misquote a great man.
Have any of you, dear readers, seen the movie? If so, I’d really like to hear your reaction. Has anyone read The Goldfinch, or either of Tartt’s other two novels? Ditto! (and it’s o.k. if you’re not a fan! Despite my DT worship I can understand how others might be less smitten by her art. How very boring it would be, if we all liked the same things, wouldn’t it?) It’s almost a truism to say we’re always disappointed when a favorite book is made into a movie — what’s been your experience? Mine is usually “I hate, hate, hate the movie,” which is why I’m so interested in the fact that this time my reaction was actually quite different. The only comparable situation I can think of personally was David Mitchell’s Cloud Atlas; a complex and wonderful novel made into a sort of C+ movie that I sort of C+ liked! Any thoughts?
MISCELLANY THIRD: ART
Any René Magritte fans out there? (as I recall, Silvia likes his work!). I don’t know much about 20th century art but it’s hard to resist Magritte. Don’t we all need to have our world view shifted just a little at times? Magritte is very, very good at that! This painting is titled, for no particular reason that I know of, Sixteenth of September, which just happens to be today’s date (from where I’m typing at least). I’d like to say I thought of the painting myself, but truth compels me to give credit where it’s due — the New York Times’ daily cooking newsletter! Thrown in gratis, along with a recipe for meatloaf with carmelized cabbage! (If you’re interested, the newsletter also recommended Lara Prescott’s debut thriller, The Secrets We Keep. Has anyone read it yet?)
Have I mentioned that I have a big research paper to write on Renaissance child portraiture? Oh, I have!!! Since making that communique I’ve actually managed to complete a few pages at an astonishingly slow rate of production, so slow it would have gotten me promptly fired from my old brief-writing job, pleading (with utter sincerity) for truth, justice and the American way of life, not to mention the government’s right to collect its trust fund taxes or to impose appropriate market designs on various energy exchanges. (If you’re unfamiliar with trust fund taxes, market design or energy exchanges consider yourself very, very fortunate. I thought I had mercifully blanked it out, but I do believe the pressure of writing my portraiture paper is giving me stress induced flashbacks. I suppose it’s the equivalent of PTSD for a Vietnam vet). Anyways . . . . since I’ve just completed a paragraph or two on Renaissance family life (nutshell summary: father knew best) I felt totally justified in taking a teensy, weensy little break this morning involving breakfast out (i.e., someone else cooked), a farmer’s market and new (to me anyway) books. And, since it’s Monday, I have a perfect recipe (so to speak) for a Miscellany!
In a truly rare work break (smiley face here) from my Renaissance research this morning, I decided to catch up with my blog reading. My very first (and, as it happened, last) click of the day landed me here, where “Stuck in a Book” described in voluptuous detail a very recent and quite major book haul. Well, dear reader, Janakay has been a very good (and fiscally responsible) girl this summer vis à vis book purchases (interlibrary loan works quite well thank you) but . . . it’s just never safe, dangling temptation in front of an addict! And the combined omens were just so overwhelming — my very first blog stop discussing a book binge; the absolute necessity for a reward after all my hard work; the fact that my favorite breakfast spot is practically on the way to:
Well, it just all came together!
When I first drove up I thought the yellow “50% Off” sign was hyperbole but no! These guys were really discounting everything in the store by FIFTY PERCENT!!! What did I tell you about those omens? I mean — it was so obviously MEANT to be! I headed for the fiction section straightaway, but (another intervention by Divine Fortuna. If you follow my post to the end, you’ll see I’m in a Roman mood) I first had to pass through “Art History.” This section was pretty tightly packed (I had to move a few piles to get to stuff) and space was a bit limited, requiring me to sit on the floor to examine the treasures. The effort, however, was more than worth it, as I scored some major finds. (A tip for the temperate — you know it’s a binge when the cashier gives you a box and offers to help you carry your books to your car!).
My last art image, I promise, but I couldn’t resist just one more!
Miscellany third: Ancient Rome
At this point, I bet you thought I’d never get around to ancient Rome but ha! fooled you. I was headed that way all the time!
Last week I was very excited to have my first class in Roman art and archaeology. Back in the day, i.e., when I was a “real” student (trying very hard not to think about getting a job) I was very interested in classical subjects. Although my interest has waned over the years I still love classical culture and was thrilled when I was finally able to enroll in this course;
As I long ago discovered, however, one can love a subject and still find one’s mind wandering down wayward paths, particularly when one is trying to distinguish between two early Roman temples that look distressingly similar! During one such detour from required learning I found myself thinking about what a presence, still, ancient Rome holds in popular culture; from there I began mentally listing movies and books with a Roman theme (perhaps the equivalent of counting sheep?) Because there are literally hundreds and hundreds of these, I established the following parameters to keep my list manageable: (1) I allowed only 30-40 minutes to come up with titles (and a little longer to research a few); (2) I listed only items about which I had personal knowledge (i.e., I’ve either read it, read a review of it or have it on a TBR list) and (3) I attempted not to annotate (that part wasn’t very realistic, as you can see below). Since I may actually get around to making this into a real bibliography one day, I’d love to have additional recommendations or reactions to the titles. Also, as you’ll see, most of the listed books are pretty dated, so if you know more recent titles, please share!
Historical novels about ancient Rome (alphabetical by author):
Bulwer-Lytton, Edward. The Last Days of Pompeii. Perhaps the best known novel by an unfortunately prolific Victorian novelist. You may not know that Bulwer-Lytton penned the immortal opening lines, “It was a dark and stormy night.” His greatest claim to contemporary fame is that lines such as this inspired the annual Bulwer-Lytton Fiction Contest, in which entrants compete to see who can write the worst possible opening sentence for a novel. If all this doesn’t scare you off from reading Pompeii, I say — go for it! (You’ll be sorry.)
Caldwell, Taylor. A Pillar of Iron. The novel gives star treatment to Cicero; Caesar is a vaguely sinister character. I can’t believe it’s still in print, but life is full of such mysteries. Since my assessment may be inaccurate (it’s certainly biased. I spent a miserable semester trying to translate one of Cicero’s speeches) I feel compelled to note that one reviewer on Amazon refers to it as “one of the best books I’ve ever read.” Don’t you think that it’s differences in taste such as this that make our big beautiful planet so very interesting?
Dolan, Mary. Hannibal: Scourge of Imperial Rome (also published as Hannibal of Carthage). The Romans are the bad guys in this fictionalized recreation of the lost account of Sosylos, a real-life Greek historian (probably a freedman) who accompanied Hannibal over the Alps and into Italy in the Second Punic War. I read this novel several times as a kid and loved it. Tragically out of print.
Douglas, Lloyd. The Robe. A 1940s? 1950s? best seller with a religious theme (Roman soldier is present at the crucifixion); the stuff many movies are made of. Watch them and skip the book.
Duggan, Alfred. Family Favorites (not the warm and fuzzy kind! Set in the reign of an emperor who made Nero look like Santa Claus) & Three’s Company (the second Triumvirate of Mark Anthony, Octavian & Marcus Lepidus; told, in a typically Duggan touch, from the point of view of the non-entity Lepidus). I don’t think Duggan is much read these days; a pity as his wit is dry and his historical research impeccable. I prefer his novels set in Medieval times (Count Bohemund is great) but these are definitely worth checking out (Favorites at least is available on Kindle).
Fast, Howard. Spartacus. A best-seller from the 1950s; the movie, I suspect, is better known. Haven’t read it in years, so I’m not sure how it’s aged.
Flaubert, Gustave. Salammbo. I was so intrigued to learn that Flaubert wrote an historical novel set in the time of the first Punic War I bought a copy. What are TBR lists for?
Graves, Robert. I, Claudius & Claudius the God. Fabulous books, thankfully well known and readily available. Less well known but worth checking out if you like late empire (I do) is Graves’ Count Belisarius.
Harris, Robert. Pompeii. The title rather explains what’s going on, doesn’t it? My reaction was “meh” although Harris has a lot of fans out there. Are you one? If so, speak up! Janakay is open-minded (about books, that is!)
Shakespeare, William. Anthony & Cleopatra. O.K., I know it’s a play (I could have also listed Julius Caesar, but I like this one better). Worth it just to read Anthony’s “Let Rome in Tiber melt, and the wide arch Of the ranged empire fall. Here is my space.” If the story didn’t happen this way, it should have!
Sienkiewicz, Henryk. Quo Vadis? Did you know that Sienkiewicz won the 1905 Nobel Prize for literature? Neither did I, until I did this list! I do know that this novel has been the basis for a couple of movies. And — one of the novel’s great characters, Petronius the Arbiter, was “real;” Tacitus wrote all about him! (spoiler alert: Petronius comes to a tragic end when he falls out of favor with Nero). Petronius turns up again (below) as the author of the Satyricon.
Sutcliff, Rosemary. A wonderful English novelist who specialized in writing about Roman Britain (her Sword at Sunset is a wonderful, very realistic re-telling of the Arthurian legend). She did several novels classified as YA that, depending on your mood, are well worth reading regardless of your age (hey! I’m ancient and I just finished re-reading one); the best, IMO being The Silver Branch,The Lantern Bearers and The Eagle of the Ninth. I loved these books so much I’m seriously considering a nostalgia purchase of the reprints (with original illustrations) offered by the folks at Slightly Foxed (a wonderful quarterly publication for those who read BTW).
Waltari, Mika. The Etruscan & The Roman. Waltari was a Finnish writer who did several of these single title thingeys; perhaps the best known is The Egyptian. I’m not sure I’d like them now, several thousand books after I first encountered them, but I do recall particularly enjoying The Etruscan, perhaps because that pre-Roman culture is just so very mysterious.
Vidal, Gore. Julian. The life of this last pagan emperor of Rome (and enemy of the emerging Christian faith) was grist for Vidal’s pen. If you like Vidal, you’ll probably like this. If not, stay away, life is short.
Wallace, Lew. Ben Hur: A Tale of the Christ. Did you know that Wallace was a general (Union variety) in the U.S. Civil War? Mr. Janakay, who knows quite a bit about the subject, informs me that Wallace was “not bad” as a military commander and that he rather unfairly took the fall for the Union’s first-day losses at the battle of Shiloh. As for his literary ability — well, I’d probably just watch the movie (particularly if you like mega-Hollywood, old-timey Charlton Heston things).
Warner, Rex. The Young Caesar and Imperial Caesar. Warner was an English classicist; these two books are fictionalized first person accounts of Julius Caesar’s life. Although they’re stand alones, you’ll need to read both to get Caesar’s entire life. I was pleasantly surprised to learn they’re available on kindle for a modest price; they’re now on my “will one day re-read them” list. When I do so, I’ll let you know if they’ve held up well!
White, Edward Lucas. The Unwilling Vestal (a Tale of Rome Under the Caesars). A former professor of mine (“The Classical Epic in Translation”) spent much class time raving about this old novel’s whimsical charm. Being an impressionable child, I wasted a couple of days discovering the guy had lousy taste for novels originally written in English. Learn from my example, grasshopper!
Wilder, Thorton. Ides of March. Set in the last days of the Roman Republic & a very popular read in the 1950s, when (I believe) it reached best seller status. Not sure how it would date; if you’ve read it — let me know!
Williams, John. Augustus. Re-issued fairly recently in one of those nice NYRB classics editions. This is one that’s been on my TBR list for some time. Williams BTW is also the author of Stoner, the newly re-discovered lost classic du jour.
Yourcenar, Marguerite. Memoirs of Hadrian. Another permanent resident on my TBR list.
Contemporary (and popular) mystery series set in ancient Rome:
Davis, Lindsey. Marcus Didius Falco mysteries. I started reading these as they were being published and lasted through the first four or five. Don’t get me wrong, it’s a wonderfully funny, well-plotted and entertaining series but . . . we all have to say good-bye sometimes.
Saylor, Steven. His Sub-Rosa series is set in the time of the late Republic and centers on the exploits of a detective known as Gordianus the Finder. There are a lot of books in this series (twelve? fourteen? difficult to count, as I believe there’s also a novella or two); the few I read back when were quite good but — three was enough!
Science Fiction directly inspired by Roman history:
Asimove, Isaac. The Foundation Series. An incredibly influential sci-fi classic (Elon Musk & Paul Krugman cite it as inspiration); the ancient Galactic empire is dying and humanity faces centuries of barbarism. Edward Gibbon’s Decline & Fall, anyone? I read this work repeatedly in my teens; my attempted re-read about twenty years ago was a tragic failure. Like much of early sci-fi, brilliant ideas combine with a clunky style, which I can no longer handle (after a similar experience with another Asimov novel, I’ve decided my love affair is over!). Others, however, have had different reactions, so check it out for yourself.
Contemporary essays about the classics (includes Greek classics):
Mendelsohn, Daniel. How Beautiful It is and How Easily It is Broken. Mendelsohn is a scholar steeped in the classics; he has the rare and wonderful ability to link classical themes to current pop culture. I’m not a big reader of essays, but I loved this collection.
Beard, Mary. Confronting the Classics: Traditions, Adventures, and Innovations. Your very own tour of the ancient world, with one of the greatest classical scholars on the planet as your guide. And — she can write! If you’re at all interested in the classics, this is a necessity.
Hamilton, Edith. The Roman Way. An oldy, but a goody; very readable essays on the major Roman authors. Hamilton gives non-Latinist a wonderful sense of the various authors’ styles, as well as lots of substantive information about the works’ contents. Hamilton’s The Greek Way is even better, but that’s off topic!
Writings by actual, real life ancient Romans that are worth checking out:
Please keep in mind that I’ve only read a smidgen of the vast amount of available material, and did that years and years ago. (In other words, additional suggestions are welcome.) But since I’m nothing if not foolhardy, here’s my very selective, highly idiosyncratic and very limited list. Do you have any Latin favorites? If so, share, share!
Apuleius. The Golden Ass. The only Latin novel to survive in complete form; adventures of a would-be sorcerer who mistakenly turns himself into a jackass (if memory serves, I think he wanted to change into a bird but got the spell wrong). Aside from its considerable literary merits, I have a soft spot for this one. Back in the day, I loaned my copy to a friend who was driving home for Christmas. When she was pulled over for speeding (hey! we all want to get home quickly for the holidays!), my loaner was clearly visible in the empty passenger seat. The cop who flagged her down not only found the title hilarious, he also thought it perfectly described his patrol partner. The cop was so amused, in fact, that my friend got off with a warning rather than a ticket! Never say reading great literature doesn’t pay off!
Petronius. Satyricon. The author was a favorite courtier of Nero’s until he criticized the imperial poet’s rhymes (not to mention his musical skills) once too often (see Henryk Sienkiewicz, above). Only fragments survive, but as one of them is Trimalchio’s Feast, it’s a must-read. Warning: not for the squeamish or puritanical (I learned lots of interesting Latin verbs the semester we read this). The translation you choose is everything for this particular classic; look for the liveliest, most irreverent possible. You could always watch the Fellini movie of the same name if you don’t feel like reading (it’s filled with arresting images) but the book is better.
Virgil. Aeneid. If you like epics, only the Iliad is better (well, maybe Beowulf, but that’s a different culture). Read the poem and you’ll discover why Dante made Virgil his guide through the afterlife, the poetry is that good (particularly the chapters about Dido, one of the best female characters in all of classical lit).
Catullus. If lyric poetry’s your thing, it doesn’t get much better. Catullus was probably the only guy of his day and time who didn’t realize his beloved Clodia was the most sexually promiscuous woman in Rome and a husband-poisoner to boot; but it’s that kind of blindness that makes great love poetry. Although the Clodia poems (he calls her “Lesbia” but no one was fooled) are probably his best known work, Catullus’ poetry covers much more ground. His poem on Attis, who joins the priesthood of the savage goddess Cybele, is incredible (not, not, not for the faint at heart) and there’s the wonderful poem written when Catullus visited his brother’s grave (“now and forever, brother, hail and farewell”). Many, many translations are available.
Ovid. Metamorphoses. A prime source for every myth you ever wanted, or needed, to read. Trust me, reading Ovid will make it much easier for you to enjoy the artwork the next time you visit the museum (when in doubt European artists have always turned to Ovid for a subject).
Histories: if you’re into the (technically) non-fiction, there’s lots and lots to chose from. A “you were there” account from the front: Caesar’s Gallic Wars, perhaps the oldest surviving piece of cleverly disguised political propaganda (Caesar wrote it to convince the folks back home that he was a serious military commander). Juicy, filthy, wonderful gossip (in the 21st century, this guy would be working for the tabloids): Suetonius’ Twelve Caesars. Stern, republican, “this is what made us great” virtue: Livy (in our day, he’d probably be writing political speeches).
Well, that’s it for tonight folks! I’d love to hear comments, or additions to my list, but for now it’s back to those two very similar, early Roman temples . . . I think one of them has a few more columns on the left side . . . .
Those of you who check out my blog now and again may have noticed that it’s been quite some time since my last post. Three weeks! How can that be? Where has all that time gone? My fall semester classes officially begin tomorrow, but I’ve actually been at it for most of August, frantically working on the second part of a two semester project that I began last spring, on 16th century Italian portraits of children. I’ve spent several months doing research and I’m now at the point where I simply MUST begin writing! I’ve made outlines, collated notes, requested ten more books from the interlibrary loan department, read many interesting art history articles (some even tangentially related to my topic), went to the movies, went shopping for novels on Amazon, made banana bread, went to more movies, bought more novels, made cranberry bread, started this post . . . . . wait! wait! Something’s wrong! I simply must begin writing about Italian Renaissance portraits! Oh well, I think I’ll do this post instead (then check out the movie schedule and catch up on some book blogs).
MISCELLANY PART I: BACK TO SCHOOL READING
Since this is Monday, my post will be a miscellany that’s more of a “mess–allany” than usual! It’s in several parts, so if you get bored (now, honestly, how could that be? Please do realize I am being sarcastic here!) you won’t lose content by scrolling through the dull parts.
Since this is a book blog, I’ll begin with – – – reading! Although I’ve done a tremendous amount of it this month, most of my reading has been very narrowly focused —- of the “I simply must begin writing my paper but first I’ll skim another article” type — which is not to say it’s been dull (if I weren’t the type to find Renaissance Italy interesting, I wouldn’t have used August to read about it!) I am stuffed, positively stuffed, with interesting factoids about the Italian Renaissance! Did you know, for example, that families in 16th century Florence recorded their sons’ births in the family account books but often didn’t bother recording the daughters’? That children of both genders were farmed out to wet nurses almost immediately after birth and only rejoined their biological families around the age of three or so (some even stayed with the nurse until age seven)? That couples who wanted to conceive a son were advised to tie the guy’s left testicle with string and to eat lots of hot food (I’ll spare you the theory behind this)? Did you know that some scholars estimate that half of the children born during this period died before their first birthday, and that half of these survivors died before age thirteen? Although scholars only begin studying the history of “childhood” around 1960 or so, they’ve produced some incredibly interesting and very accessible work since that time on families, marriage, childhood and women’s roles in Renaissance Italy. If you’re up for non-fiction, some of these are definitely worth reading, such as . . .
As for my own particular Renaissance woman and her depictions of certain Renaissance kids (the topic of my paper and my excuse for all that reading about childhood and family life):
And — here’s the kids!
MISCELLANY PART II: AUGUST MOVIES
Does anyone besides me like movies? Although I’m reallynot addicted (honestly, I can go weeks and weeks without a hit), in times of stress they’re my go-to drug of choice, especially when combined with potato chips! Like most sane people, I generally watch movies at home, but when piles and piles of (unread) Renaissance art books are staring at me, I resort to a conveniently located local theater, which specializes in current art house, repertory and foreign films (fortunately, it also has a great bonus program, which has come in really useful this month). In August I hit the jackpot, so to speak — my local guys were celebrating the 1970s, one of my favorite periods for “old” American movies.
I did go current, however, at least at the beginning, by kicking off August with Quentin Tarantino’s latest, “Once Upon A Time in Hollywood.” Has anyone else seen it? If so, I’d like to hear your thoughts, particularly as I’m not a Tarantino fan (I generally think he’s a bit over-rated, and his movies normally are far too bloody for me). In a sense, I liked this one despite myself, but it was good! (although it is pretty violent). Anyway, August movie month had what I considered an auspicious beginning:
I followed this current release with lots and lots of repertory, seeing, in no particular order:
“You Only Live Twice” (1975): Didn’t date well and don’t bother, unless you really, really want to see Sean Connery masquerading as a Japanese fisherman, complete with skin makeup (don’t ask). I didn’t and left halfway through, as life is short.
“The French Connection” (1971): I wasn’t a fan when I first saw this, oh so many years past, but it’s held up surprisingly well.
“The Thomas Crown Affair” (1968): A heist movie totally devoid of suspense; even Steve McQueen couldn’t save it. High point was Faye Dunaway in a lavender hat (she was lovely).
“Chinatown” (1975): One of the all time greats; saw this one twice! Who could forget that closing scene?
“Nashville” (1975): I love Altman’s movies and this is one of his best. Surprisingly (and depressingly) still relevant to our sad political times.
“McCabe and Mrs. Miller” (1971): another Altman (told you I love his movies). Saw it twice this month, once solo and once with Mr. Janakay (it was necessary for his cultural development!).
“Diary of a Mad Housewife” (1970): Carrie Snodgress won a Golden Globe (and was nominated for an Oscar) for her work in this comedy-drama. She is good (makes you wonder what her career might have been had she never met Neil Young) and, despite being a bit of a period piece, the movie still works.
“The Last Picture Show” (1971): How could I have forgotten how great this was? Cloris Leachman deserved three oscars!
Does my list include anyone else’s favorites? Or not-favorites, as the case may be? Any recommendations? (I still have lots of Renaissance art to get through, so movie going in the near future is a distinct possibility.) Has anyone seen “The Farewell”? If so, please share your opinion, as I’m dying to see whether Awkwafina lives up to her reviews!
MISCELLANY PART III: FUN READ
Humanity has perished, victim of a zombie plague; all that’s left are the animals. The tale is (mostly) narrated by S.T., a formerly domesticated crow who’s spent his life with his beloved Big Jim, a junk-food eating, beer-drinking redneck, and Dennis, a slobbery but good natured bloodhound. Aside from being hysterically funny (yes, it is!), there’s a lot going on in this deceptively simple little story. Take my word for it, this is NOT just another post-apocalypse zombie novel (and if you don’t believe me, check it out on NPR).
MISCELLANY PART IV: THE 1619 PROJECT
You may or may be aware that in August 1619 a ship carrying more than 20 enslaved Africans landed in the British colony of Virginia. The unfortunates aboard were sold to the colonists and “American” history (at least, of the United States variety) was off and running. To mark the 400th anniversary of this momentous event the New York Times compiled its 1619 Project, which explores the history of slavery (a history that was certainly never taught in any school I attended) and the way in which it’s affected every aspect of life in these sort-of-United States. The Project uses historical objects from the National Museum of African American History and Culture as a starting point for its scholarly essays and journalistic pieces, and interspaces its factual material with poems and short stories by noted black artists. Not to be missed; here’s the link to get started.
MISCELLANY PART V: CONCLUSION
Did I mention that I have a paper to write on “Changing Concepts of Renaissance Childhood: Three Portraits by Sofonisba Anguissola”? (note: title is subject to change) Clearly, it’s time to call in someone who’ll keep me focused . . .
P.S. The old-timey school room shown at the beginning of my post is an 1871 painting by Winslow Homer, called, appropriately, “The Old School Room.” You can see it at the St. Louis Art Museum in St. Louis, Missouri.
If you’re a visitor to my blog, you may have noticed that my postings have been a little, ahem, erratic in the last month or so. What I have posted has perhaps been more visual and nature oriented than literary or bookish, which isn’t to say that my interests have shifted. As much as I love my nature viewing and museum visiting (I’ve at least two very nice regional museums to share with you, so watch out!) my life remains centered on books and the printed word, as it has been since I learned to read around the usual age of six or so. While I’ve been nature viewing, I’ve also been reading as much as ever (perhaps even more so) but — I hide nothing from you, dear reader — Janakay is just a teensy-weensy bit lazy! And it’s so much easier to read the wonderful books than to organize my thoughts and string them together in coherent sentences! Although I’m actually on track as far as the reading goes to meet my two challenges (Roofbeam Reader’s TBR, and Books and Chocolate’s Back to the Classics), I’m woefully behind in writing and posting the reviews of all that I’ve read. Monday is “Miscellany Day,” however, so I’m doing a hodgepodge of related topics; because the relationship is a rather loose one, feel free to skip around!
My first Miscellany is — Anna Maria, a barrier island off Florida’s Gulf Coast, and its nearby areas (I’m just back from a visit and sorting through photos).
While I was visiting Anna Maria, I did lots and lots of reading, which brings me to my second Miscellany: books that I started, stopped or finished during my time there:
And since I’m doing books, make sure your visit to Anna Maria includes a side excursion to nearby St. Petersburg (the drive is lovely) and the wonderful:
Are you surprised to learn that I’ve added to my TBR pile?
My third and final miscellany: Jane Austen’s Sanditon, the novel left unfinished at her death. Has anyone read this? Or, unlike myself, realized the importance in Austen’s fiction of seaside resorts and beach villages? Today’s Guardian has a wonderful article discussing Austen’s use of seaside resorts — a key scene in Persuasion occurs in Lime Regis; Lydia Bennet elopes from Brighton and Austen herself may have enjoyed a seaside romance. The article suggests that in Sanditon, Austen may have written the first seaside novel; at any rate, she certainly anticipated “what the seaside has come to represent in later modern fiction,” such as Chopin’s TheAwakening, Woolf’s To the Lighthouse or Banville’s The Sea.
The exciting news? Sanditon is being adapted for an eight part series on ITV, which will air this autumn! Thoughts anyone, about Anna Maria Island, Sanditon or any of my other reads?
Are any of you denizens of the internet residents of Florida? Has anyone visited Florida or, if you’re a wanderer of the blogosphere from somewhere other than the U.S., have you even heard of Florida or have any idea of what it’s like? To many, Florida is a sun-drenched version of the American dream, where summer is perpetual, the beach a block away and fresh orange juice as close as the tree in your back yard. The Florida lifestyle, in fact, can be so pleasant that it’s easy to forget, or overlook, the complexities of America’s third most populous state (that’s right! Only California and Texas have more people and New York — New York! — has less. In American presidential politics, this makes Florida one big electoral prize).
Florida is literally the land of tomorrow and of yesterday; a place where you can watch a rocket launch at Cape Canaveral one day and on the next visit St. Augustine, the oldest city in the United States (founded by the Spanish in 1565, long before those English pilgrims showed up at Plymouth Rock). Florida is a land of paradox and contradictions, with disparate elements often existing in close juxtaposition to each other: a manicured golf course lies next to a mangrove swamp; Disney Land and tourist theme parks co-exist with Miami’s International Art Fair (the place to go for serious collectors of contemporary art); an alligator suns itself on a suburban driveway; egrets and herons fish alongside their human counterparts. Florida wraps this package of self-contradictions in endless miles of beautiful beaches. With the Atlantic Ocean on one side and the Gulf of Mexico on the other, Florida has more seacoast than any other continental state; its gorgeous white sand beaches and tropical waters have tempted generations of American college students south for spring break (note to anyone planning a mid-March Florida trip: take care in booking your hotel, unless you think setting off fire alarms at 3 am is the height of humor. Mr. Janakay does not and was very grumpy indeed after one of his spring Florida jaunts).
Because Florida has so many pleasurable ways to pass the time (not least, dear reader, it offers numerous opportunities to lounge on one’s porch or patio with something white and chilly in hand), it’s very, very easy to overlook its fantastic natural attractions. If you’ve wandered by my blog before, you know that I adore swamps, marshes, wildlife reserves, boardwalks, and parks; I’m basically a huge fan of any place where humanity has left even a sliver of room for non-human creatures. (Nature along the Delaware Coast; Nature on the Move). Although so many of Florida’s natural wonders have been lost to commercial development and population growth, there’s room for hope because so much still remains. Of these surviving remnants of “natural” Florida my very favorite is Corkscrew Swamp, a 13,000 acre sanctuary (about 5300 hectares) located in the western Everglades and operated by the National Audubon Society.
You may find Corkscrew and its wonders about thirty miles inland and slightly north of Naples; find Naples in the map’s lower green quadrant, put your finger on the “a” and go up a bit and you’ll have a rough idea of Corkscrew’s location.
Condominiums and beach playgrounds dominate much of the coast in this area; logging and agriculture have taken their toll. Despite visiting this part of Florida many times, I still find it hard to believe that this:
is only about 30 miles (approximately 48 kilometers) from this:
Visiting Corkscrew and viewing its wonders is easy. The sanctuary is open every day of the year; admission fees are minimal (fourteen American dollars; admission good for two consecutive days if you save your receipt) and the two miles of boardwalk provide easy access to Corkscrew’s different habitats (if you’re not up for two miles, there’s a shorter loop you can do). Because Florida is hot, and birds and wildlife can be scarce when people are present, I always try to arrive as early in the morning as possible (the boardwalk opens at 7 am).
One wonderful thing about wetlands are the sounds, which are frequently as interesting and unusual as the sights. Even though its sound recording isn’t great, this short video of Corkscrew’s prairie does give some idea of the cacophony of frogs, none of which were visible (the snuffling sound is the frogs; there’s also a bird in the background):
Once in the deep swamp I had one of those wonderful, unpredictable experiences that sometimes occur — a wildlife sighting! This was my first view of a group of Corkscrew’s river otters:
This is a brief video of the otters’ appearance. Because it was made towards the end of the wrestling match, several of the troupe had already moved along the boardwalk. You can hear some swamp sounds and (alas) the click of someone else’s very high tech camera:
Although the otters were hard (well, impossible) to top, Corkscrew has more wonders:
You may have noticed, dear reader, that I have a tendency to preach, which I do attempt (not always very successfully) to keep under control. Chalk it up to all that earnest, didactic Victorian literature I sometimes read (BTW I’m currently engrossed in Middlemarch, George Eliot’s wonderful doorstopper of a novel!). So — skip this paragraph if you like, you’ve received your warning — but it’s impossible for me when discussing Corkscrew not to stress how incredibly difficult it’s been (and continues to be, actually) to preserve its wonders. Have you ever heard of plume hunters or noticed the feathers in all those gorgeous women’s hats, so fashionable in the early part of the 20th century? Well, those feathers had to come from somewhere and the rookeries of south Florida were easy pickings. Plume hunters could make a fortune in one successful hunt and their activities almost wiped out Florida’s heron and egret population. The trade was finally outlawed in the 1920s but even then official enforcement was lax. Audubon hired its own wardens to protect Corkscrew’s nesting sites and launched a public relations campaign against wearing the plumes. It was difficult and violent struggle — two of Audubon’s wardens were murdered in the line of duty — but their efforts were successful and the egret/heron population was saved.
Because you’re observing a living biome, every trip to Corkscrew is different. For example, if you’re lucky enough to visit during October to February, you have a very good chance of seeing:
And then, if you’re incredibly lucky (not ordinary luck, but the kind where you’d win the powerball lottery), you might see — a Florida panther!
I can’t resist using this great video, lifted directly from YouTube. There’s a naughty expression at the end, so if you’re sensitive to such things you may want to turn off the sound. I’ve left it in, as it so exactly expresses how I would have felt!
Audubon calls Florida panthers an “umbrella species,” i.e., if they survive, so do lots of other things that use the same habitat. Once they were found over the entire southeastern U.S.; now there are about 100–150 left in a few spots in southern Florida. Cause for despair or reason to hope? Because the numbers have grown since 1995, when the population was down to only 20-30, you decide.
Are you, dear reader, a worshiper of the weekend? On Monday mornings do those two precious days glimmer like a mirage on the far horizon; a heavenly vision that gets you through those nasty mid-week blues? I must admit that I’m more tolerant of weekdays and less reverent about weekends since I’ve left the 9 to 5 routine but — they do remain special. Weekends are little breaks from the mundanity of everyday routine, with even the most ordinary non-special-occasion weekend offering its own little serendipities. The greatest, of course, is the weekend read. An entire afternoon, with no chores or commitments, and nothing, absolutely nothing, between you and the book of your choice. A treat of this caliber is rare, even on weekends, but there are lesser delights to savor. On weekends, the morning’s hasty bagel breakfast can expand to include a friendly interchange with the bagel chomper at the next table, or the harried trip to the grocery store can become leisurely enough to notice (finally) that nice patch of flowers along your route. Or — hang on to your hat, Magellan! — you might feel relaxed and adventurous enough to explore a different route to a familiar destination; or even to try a different activity — a new store, an unfamiliar park or museum or that obscure cafe you’ve being hearing about. Even the domestic routine mellows out — weekends are for trying new recipes, or looking at forgotten photos, or giving the cat an extra tummy tickle along with his/her’s Little Friskies Gravy Lovers’ Treat (a huge favorite in my household). In short, weekends are for doing all those little things that are actually very big things.
Although weekends are pretty super any time of the year, summer weekends are really unbeatable. One huge factor contributing to their charm — farmers’ markets! Do any of you live near farmers’ markets and, if so, do you enjoy them as much as I do? In my area, they’ve gone from being rather rare to being ubiquitous. Although you may find, depending on location, a pop-up market on Friday, or even Thursday, Saturday morning markets tend to be the most popular. Many of the markets also include much more than the usual fruits and veggies (although I tend to stick to the produce). The Saturday morning farmer’s market is one of summer’s delights, combining exercise (well, sort of — you do have to walk past the stands), entertainment (if nothing else, there’s always people watching, or a clever dog chasing a frisbee) and really great food:
When you’ve had enough of the farmers’ market, or if you decide to skip it that week, not to worry! Summer weekends have still more delightful possibilities for the dedicated hedonist! Although my ideal physical exercise is ordinarily confined to turning a page, in the summer I actually like to walk. One of my very favorite places for a summer’s stroll (quite accessible from where I live, but, unfortunately, not terribly close) is Little Bennett, a gorgeous multi-use state park containing numerous paths and trails, natural wonders in the form of native plants and critters and some interesting historical sites. Although Little Bennett is under increasing pressure from a growing population (it’s only a couple of miles from a recently developed “town center” that added approximately 20,000 people to this part of the state), it remains an incredible oasis of natural beauty. Because Little Bennett is a large place (3700 acres or about 1497 hectares), quiet and solitude can be found there even on crowded weekends. It has a variety of trails, suited to almost every energy level:
A third summer delight for those less outdoorsy moments is taking a bit more time to savor the cultural offerings that come with the season. This year I hit the jackpot, as there’s a wonderful June-August exhibition at the National Gallery on:
(in the first exhibition photo, you can see that this digital display is located to the right of the entrance; as you can tell from the sound — you may want to use mute — its animated animals are quite popular with the kids).
Since summer is my time for exploring, I usually visit the Gallery’s east wing, devoted to modern art, more often than I do at other times of the year. The east wing has recently reopened after a five-years renovation. Its totally gorgeous galleries are expansive, roomy and filled with light.
Although this post is growing dangerously long, in the spirit of Miscellaneous Monday I’m throwing in some miscellaneous video, also from the National Gallery (as you’ve probably guessed by now, I’m learning how to use video on my website!) One of my favorite parts of the museum is its “people mover,” part of an underground concourse that connects the older West Building to the Gallery’s newer East Wing. The lights you see in the video are part of the Multiverse light sculpture created by the American artist Leo Villarreal:
Immediately preceeding the people-mover/light sculpture is the National Gallery’s “waterfall,” which is visible from the underground cafeteria and bookstore and provides a source of natural light to these spaces:
Finally, if all this activity is just too energy consuming, nothing is better on a summer weekend than just plain taking it easy in a favorite spot:
I am consumed with shame (well, figuratively if not literally) when I realize how little I’ve posted lately. I can’t say I have any reason for my sloth, except that I’ve been enjoying the incredible luxury of unscheduled time; in other words, I’ve been slothful because I’m slothful! I’ve read a few books (but not written any reviews — too analytical, for my present mood); done a little museum hopping (not nearly as exciting to normal people as pub crawling); and made a half-hearted attempt to clean up a closet or two. The closet cleaning has been quite distracting, as I’ve uncovered a number of lost or forgotten treasures — a great old paperweight (I warn you, I adore paperweights, so you probably have a Monday Miscellany on this subject headed your way); a wonderful glass fish that’s only got a slightly broken tail — it’s got to be good for something; and a lifetime supply of yellow sticky notes! Have any of you wanderers on the internet discovered similar wonders in your closets or cupboards?
In addition to these rather domestic activities there’s always something interesting going on in the natural world. Even casual birders such as myself have certain little rituals they observe, particularly in the spring when there are actually some birds to look at for those of us living in the (mostly) urban portion of the northern hemisphere. One of these, which I posted about last month, is a trip to Magee Marsh, a wonderful natural area and major stopping off point for song birds migrating through the central United States. Another, which comes a little later in May, is a short trip north to the shores of Delaware Bay, where every spring the horseshoe crabs come ashore to lay their eggs. In one of those marvels of the natural world, the egg laying coincides with the arrival of hundreds of thousands of shorebirds trekking from South America to their far northern breeding grounds. Unfortunately for the birds, horseshoe crabs are extremely useful in medical research and commonly used as bait, and are being heavily over-harvested, leaving the famished birds with nothing to eat. This misuse by humans threatens to break yet another strand in nature’s great web of life.
First, for a little geographic orientation:
Have any of you ever seen a horseshoe crab? They’re actually not crabs. Popularly referred to as “living fossils,” they belong to a far more primitive species closer akin to scorpions or anthropoids. And — they’re big! I believe there are only four species left on the planet; three are in the Indo-Pacific area and one is found in the coastal waters of North America.
Although Red Knots tend to be popular favorites, they’re only one among many bird species that feast on the crab eggs. On a good day, you can also see Ruddy Turnstones, Dowitchers, Dunlins, Semipalmated and Least Sandpipers, and Yellowlegs. One of the best viewing areas that I’ve found is:
In addition to all these attractions, the Nature Center even has art work:
In addition to the Horseshoe Crab-shorebird spectacle, a trip to Delaware in the spring offers other delights. You pass through several scenic little towns (but beware! many of them have speed traps!) with odd little bits of local history:
Delaware is surprisingly rural in spots, to be so close to so many east coast cities; in the spring many of the farm fields are gorgeous:
Delaware, like many other states, also has links to a darker past ….
I’m afraid my blog has been distressingly free of any new content for — my heavens! — can it be a week now? Say it ain’t so, Joe! Well, it does happen, especially when we get just a teeny bit preoccupied, which does make all those good intentions fly right out the window! The distraction last week was SPRING! And not just toasty weather, nice new green leaves and flowers, but SPRING Migration! This may not mean much to all you normal people out there, but for birders (even for halfway, fairly frivolous birder types such as myself) spring migration is a very big deal indeed, especially if you live in a northern location where for the rest of the year the birding can be rather dull.
Migration’s most fundamental attraction is simply visual — birds are beautiful to look at, especially during the spring when they’re wearing nice new feathers and bright colors. The reason is obvious; they’ll soon be staring in their own version of “The Bachelor” and “The Bachelorette” as they’re migrating to summer mating and nesting areas. There’s also the simple fact that there are birds to look at, after a long winter during which there are few to be seen. During migration you not only see more birds, but you also have the chance to see bird species that are passing through your area as they travel to their summer home somewhere else. Spotting a species that you don’t normally see, or that you see only rarely, is like winning a lottery prize, albeit a non-material one.
There’s a more serious note, at least for me, however, that underlies the visual beauty and the enjoyment of being out of doors and that’s an almost mystical sense of how various creatures and processes make up the great web of life. Did you know that a North American warbler, for example a Blackpoll, weighs less than a ballpoint pen and is only about 5 inches (15 cm) long? Yet in the fall that tiny thing (and keep in mind that a Blackpoll is one of the larger warbler species) flies over 1800 miles non-stop, crossing parts of the the Atlantic Ocean to reach its wintering grounds. The journey is so tough that the bird’s body starts to literally consume itself, feeding off muscle and even organs that the bird doesn’t need as it flies, such as its digestive system (remember the warbler’s not eating after it launches itself over open water). Warblers and other song birds can only sustain their flights for so long; for them it’s literally reach ground before their bodies consume themselves or die. And, of course, many of them do. A storm; unusual weather patterns; a strong wind from the wrong direction; a housing development where a feeding stop used to be; gulls or migrating raptors looking for a snack and … well … you get the idea. The individual bird perishes, but the species goes on, at least until we finish paving the world over with concrete. When I see a migrating warbler I sometimes think of the moment when that warbler reaches the Atlantic, or the Gulf of Mexico or Lake Erie and, without knowing the outcome, strikes out into the unknown, simply hoping to reach a good spot on the other side of those vast and terrifying depths. If that isn’t a metaphor for human existence, I don’t know what is.
I spent my week of non-blogging (and rather limited reading, I must admit) at Magee Marsh, a nature refuge on the southern shore of Lake Erie, one of the five Great Lakes along the northern United States (four of the Great Lakes form part of the border between the U.S. and Canada).
Although it’s not on a flyway, Magee Marsh is a critical stopping point for migrants that come to Lake Erie and need food and rest before they’re strong enough to attempt a crossing. Essentially the Marsh, which is one of Lake Erie’s last bits of undeveloped wetland, is a giant bird hotel that provides shelter, food and water for the birds, and a boardwalk trail for the birders. Both groups appear happy with the arrangement.
Here are some of the things I saw at Magee Marsh last week:
Over 300 different bird species pass through Magee Marsh each year. Although warblers are certainly the main attraction, many other wonderful things also rely on the Marsh to survive during spring migration:
For a wildlife refuge, Magee Marsh is easily accessible from several midwestern cities, including Cleveland, Toledo and Detroit. It’s easy to stay in one of several small towns withing driving distance. I usually pick Port Clinton, a small town that’s primarily centered on sport fishing (it styles itself “the Walleye capital of the World” and who’s to say it isn’t?). Port Clinton has a sprinkling of older houses and an impressive array of yachts; it also doesn’t really come alive until late May, after spring migration is over and birds and birders have left.
Despite my inability to concentrate on any one object for more than ten minutes, or to spend more than a couple of hours, max, on an art stroll, I adore museums. Perhaps it’s because of their variety: there’s a museum for everyone and for every mood and personality type. Interested in the history of fire alarms? The next time you’re on the Baltimore Beltway, take a detour to The Fire Museum of Maryland, which has one of the world’s greatest displays of working fire alarms. Want to see some interesting stuff without getting out of your car? Well, the Museum of Wonder in Seale Alabama (which claims to be the world’s only drive-through museum) is where you need to be!
Are you an aficionado of the circus? Then go immediately to Sarasota, Florida! It was formerly the winter home of the Ringling Brothers Circus (many circus performers settled there, not to mention John and Mabel Ringling themselves) and has a really great circus museum, founded in the late 1940s.
And, of course, there are the big boys of the U.S. museum world — the Metropolitan, the Art Institute of Chicago, the Frick, Boston’s Museum of Fine Arts, to name only a few — those places you go when you’re in need of a serious dose of heavy culture, or a nice cafe to relax in on a hot day in the city or a browse in a great store full of art books and prints. My favorite of these — the place where I head when I’m not in the mood for one of our quirkier little cultural hors d’oeuvres — is Washington, D.C.’s National Gallery of Art. It’s a fabulous museum to visit especially when, as now, there’s a major exhibition or two going on.
Although I love the East Building, which houses a wonderful collection of 20th century art, my focus today is on the older part of the Museum. So — back to the dome! We all have our little rituals and one of mine is to always stop here for a moment or two to admire and to contemplate.
The NGA usually has some sort of special show or exhibition going on. The current attraction is a fabulous show on 16th century Venetian art, featuring the paintings of Tintoretto, a contemporary and rival of the great Titian (the two artists, by the way, loathed each other). Since many of Tintoretto’s paintings are really, really large and seldom travel, this is a great opportunity to see something of his best work without a trip to Italy!
Besides the special Tintoretto exhibition (around for the next month or so), there’s always something to see or enjoy at the NGA. If you’re not in the mood for paintings, or food, or books — well, the building itself is worth a visit!
And when the weary museum visitor needs a physical and mental time-out, he or she can always head for one of the garden courts in the old West Building, which are thoughtfully provided with very comfortable seating around the edges ……